I think about Russi Taylor a lot.
I know that’s a weird sentence to start a piece with, but it’s true.
It’s said that when she was a little girl, Russi was at Disneyland with her mother and brother when she spotted Walt Disney sitting on a bench in the park at night. They started up a conversation and when Walt asked her what she wanted to do when she grew up, the young Russi replied, “Work for you!” And she did.
In 1986 she beat out 200 others auditioning for the role of the famous female mouse and she has voiced her ever since.
She was no one-trick pony either. Her career included voice-overs for countless other characters across television and film, including Martin Prince on The Simpsons and Huey, Dewey and Louie in the original DuckTales. And those who work with her say she was just as sweet as the Minnie she portrayed.
She passed away in July at the age of 75, but her work…well, like so many others, it’s around me every single day.
With three kids at home, we watch a lot of Mickey and Minnie Mouse cartoons. From Mickey’s Clubhouse and Minnie’s Bow-tique to Roadster Racers and Mixed Up Adventures, Minnie’s with us every there. And that means that Russi Taylor’s Minnie is a constant presence. Throw in any Minnie Mouse doll, toy car, toy phone or anything else that talks in-character, and well, she’s heard about as much as any family member.
That’s a little strange, right? This person whom I’ve never met in my life but felt sadness for upon hearing of her passing. I didn’t know Russi Taylor. But like so many who experience characters that have become such a part of our lives, you don’t need to know them personally for them to mean something to you. She gave voice and life for more than 30 years to a beloved character that’s been a part of multiple childhoods.
And yet, though she is no longer with us, the Disney Legend continues to live on in every character she brought to life and every childhood she touched and brought joy to. The sound of Minnie Mouse surrounds so many of us every day, and because of that, she has become such a large part of so many childhoods, lives, and lives on in some small way in each person whose face she brought a smile to, even if it was remotely, through the wonder of animation and technology.
I spent a lot of time patching up holes at our house this summer. I’m not going to lie. I often spent much of that time simultaneously patching and singing The Beatles 1967 hit of the same name.
I’m fixing a hole where the rain gets in
And stops my mind from wandering
Where it will go
I’m filling the cracks that ran through the door
And kept my mind from wandering
Where it will go
But why? What holes? Why was this such an ongoing project throughout the summer?
The answer, my friends, is a small one. A chipmunk-sized one. Because it’s a chipmunk.
Early this summer we noticed a hole in our driveway, not far from where the garage door is. We assumed, as it was below the path of gutters above, that excess water had worn it away over time. So, one afternoon I went out, filled it with some rocks, mixed up a little concrete (with plans to cover it with cold patch once it dried) and filled up the hole. Inside the house I went and peeked out the window about an hour later to see if it had dried up yet and ready for the next step.
I did a double take at the window. Wait, what?
The entire hole had been dug up, or rather pushed up from the inside. Before the concrete could dry, it and the rocks below it now sat in the driveway, scattered about. As I inspected closer, I found that it wasn’t just a hole. It was a tunnel! A tunnel that led to the grass just off to the side of our driveway, where a tiny little chipmunk looked at me before running off.
I couldn’t believe it.
So, I patched up the hole again, this time covering it with a bucket and stone on top, while covering the other end of the tunnel with a big brick. This time it worked.
Until another hole popped up a few feet away. And then we discovered multiple holes in the masonry walls of the garage itself where our little friend was coming and going, leaving his droppings and gnawing away at any bags of birdseed. Which I discovered by picking up said bag and having it spill out from the bottom thanks to a chewed hole on the bottom.
Because I apparently live in a reality akin to 1940s Donald Duck cartoons where yes, I’m playing the role of Donald to my tiny co-star of Chip, Dale, whichever one is burrowing holes into our driveway and garage.
As the sun begins to set on summer, so too (at least I think) has the sun set on the cartoonish ongoing battle with our small antagonist (or are they the protagonist and I’m the antagonist?). The holes have been successfully filled in with rocks, concrete and a layer of cold patch on top. The holes in the garage walls have been filled in with steel wool, spray foam insulation, and where possible, a layer of concrete.
All those years of laughing at Donald Duck’s over the top attempts to stop those little chipmunks from causing chaos in his quiet little world have finally come back to bite me, I suppose.
But if you see me in my driveway, doing the Donald Duck angry tantrum bit again next season, you’ll know why.
The crinkle of leaves, the windy nights.
You can go ahead and enjoy all the pumpkin spice whatever you like. I’ve never been a fan of pumpkin other than decoratively.
For me, other than the aesthetics of a neighborhood or roadways lines with multi-colored leaves, the thing I look forward to the most this time of year is Halloween specials. I’m not a horror movie guy, so Jason, Freddy, the rest of you will have to sit this one out. The old, original Universal crew of Dracula, Frankenstein and friends? Okay, those I’ll get behind. And maybe one day I’ll talk about the wonder that is Abbott and Costello Meet Frankenstein. Or how I have to watch Arsenic & Old Lace with Cary Grant at least once a season.
But beyond those, there’s something I really, really dig this time of year on the same level of those classics, and that’s watching family-friendly Halloween specials with the kids. I love it. Absolutely love it and look forward to it every year. Sometimes it’s a weekend, nighttime treat with a big bowl of popcorn for all of us and some apple cider to sip on. Or, it’s just a spur of the moment afternoon viewing because it’s Autumn and why not?
Either way, Fall and Halloween specials with the kids are my bag, and I wanted to pass along some of my personal favorites to recommend for anyone looking for some non-scary, but intensely entertaining treats for the eyes of your little ones, or even just you.
So, let’s hope into this leaf pile of nostalgia and spooks, shall we?
The Skeleton Dance, a Walt Disney short from 1929, in all its black and white glory, is simply that – a group of skeletons that come out of the cemetery when the sun goes down and dance the night away, with macabre music made on their very own bones.
Lonesome Ghosts is a 1937 Disney short featuring Mickey, Donald, and Goofy as ghost hunters tricked into an old house by a group of mischievous ghosts looking for some entertainment. This one, in full-color, is another Disney classic.
If you possibly get iffy at times about the use of firearms in old cartoons, as I tend to be a bit wary of, know Mickey does bring a shotgun with him into the home. Standard for cartoons of the day, it’s good to know upfront should you want to put it into both a historical and safety context for any young ones, as I’ve tried to while we enjoy. Or, if unlike me, you don’t care about that sort of thing, then enjoy all on its own.
Capping off the Disney trio is my favorite of the three – Trick or Treat from 1952, featuring Huey, Dewey and Louie enlisting the help of a witch named Hazel (voiced by the late, great voiceover legend June Foray) for some Halloween comeuppance against their Uncle Donald, who proves to be the worst uncle in the world with the tricks he plays on the boys.
The opening and closing song of “Trick or Treat” will get stuck in your head, but it’s so much fun to sing, you won’t mind.
I’m always intrigued by the fact that the Grinch was one of Dr. Seuss’ most popular characters, but only appeared in that one published tale when he stole Christmas. Other than that, he’s been relegated to screen appearances, perhaps fueled by the adage about small doses. With its typical Seussian rhymes, it focuses on a young Who from Whoville who confronts the Grinch on Halloween/Grinch Night in an effort to stall him from making it to Whoville and scaring the entire population.
There’s familiar canine companion Max, and a lot of bizarre, surreal elements during the scare-sequence that might seem like something out of a Dali painting brought to life, but in the end, this sing-song tale of facing your fears is a fun Halloween romp that was actually written by Dr. Seuss himself! Minus Karloff this time around, Hans Conried, a familiar face to TV audiences in the 50s/60s and prolific voice-over actor, brings his refined diction to the titular Grinch.
It’s the Great Pumpkin, Charlie Brown
Come on, does this one really need much of a write-up? This one has been a classic for decades.
Though no matter how many years go by, you can’t help but ask why this group of kids are so incredibly mean to poor Charlie Brown (and in this case, Linus, too).
Linus waits in the pumpkin patch for the Great Pumpkin to arrive on Halloween night, while the rest of the Peanuts gang go trick-or-treating in ghost costumes, where ol’ Chuck gets nothing but rocks. While yes, moments in it serve as a great reminder to not be so mean to people (what is your problem all the time, Lucy?!) the classic animation and characters still make it a fun tradition each and every year.
Curious George Halloween Boo Fest
I refer to this as a contemporary classic and it’s quickly become one of my staples of the fall season.
Seriously. I will watch this whether kids are in the room or not. And it’s not just because the Man in the Yellow Hat is my spirit animal.
Taking place primarily at the Man’s country house (my favorite setting for the PBS Kids Curious George TV series, which alternates between their city apartment and the man’s family home in the country), George is intrigued by the neighborhood tales of No-Noggin, the scarecrow whose head disappeared years and years ago and now comes back at Halloween to kick off people’s hats and take them as his own.
Great songs, great characters, and just enough spooky Halloween atmosphere without being scary, this has become such a favorite of mine that when it recently came off of Netflix, I had to go out and buy a copy on DVD so we could have it.
So there’s your homework this season. To enjoy some fun viewings with your little ones or on your own that still stand the test of time in my opinion and are the perfect on-screen companion to the month of October.
Grown-Up Bonus Viewing: Send the kids to bed and delight in all the kitsch of 1970s pop culture with the Paul Lynde Halloween Special, where Mr. Center Square himself guffaws his way through a haunted castle with Margaret “Wicked Witch of the West” Hamilton at his side and cameos by everyone from Betty White, to Florence Henderson, to KISS and H.R. Puffenstuff’s Witchiepoo.
We’ve watched Ducktales, Batman ‘66, we’ve read Mr. Men and Little Miss books before bed. We own The Great Mouse Detective and Mickey’s Christmas Carol. We laugh to Inspector Gadget. A pair of Ninja Turtle figures showed up at Christmas.
Wait a second. Is this my son’s childhood or my own?
Sometimes I feel guilty that it might be hard to tell, as like many parents, it becomes all-too easy to want to show your kids “the good stuff,” the stuff we grew up with, the stuff we loved, and hope that we can find or create a mutual interest to bond over, while at the same time, feeling the excitement and joy of when we first experienced it as kids. That reliving of our own youth alongside them is essentially nostalgia. Second-hand nostalgia that we pass down to our kids.
I didn’t just make that up. Honest. The concept of second-hand nostalgia is a real thing. Nostalgia scholar and author Dr. Ryan Lizardi writes about it in Nostalgic Generations and Media: Perception of Time and Available Meaning, noting “As older generations of people are encouraged to revisit media and products they loved as children by hyper-nostalgic media companies, through remakes, reimaginings, and re-releases, it leads to a reduction in available meanings for current and subsequent generations who are then all encouraged to attach to the same nostalgia-soaked objects.”
I’ve talked about it a lot, even if at the time I didn’t realize exactly what I was doing. But I’m guilty of it. Totally.
There’s an emotional connection to our past. Sometimes good. Sometimes not so good. And for many of us, those emotions, connected to different parts of our lives, are represented by the media we consumed at the time. When I was a teenager, Friends was the new, big thing on television. When I was in my mid-to-late twenties, How I Met Your Mother was just beginning to tell its tale of friends finding their place in the world through the lookback of a nostalgic narrator talking to us from the future. And as a kid? I had a pretty happy and carefree childhood, and so when I look back on the cartoons of the Disney Afternoon, or the sitcoms of TGIF, I look back with a smile, as it brings about the same happy and carefree feelings that went along with the times I was first watching.
Referring to KI Batcho’s 1998 research on Personal Nostalgia, Sergio Davalos, Altaf Merchant, Gregory M. Rose, Brenton Lessley, and Ankur M. Teredesai note upon the emotional connection to our media in their article The Good Old Days’: An examination of nostalgia in Facebook posts, saying “Batcho (1998) posits that nostalgia prone people have a high capacity for emotion, which increases the likelihood of experiencing both ‘sweet’ and ‘bitter’ emotions. Individuals in the high nostalgia group, moreover, were found to perceive the past as more favorable than those in the low nostalgia group (Batcho 1998).”
But it’s had me thinking a lot about what that means as my kids, or other kids whose parents may be handing-down their own nostalgia, grow up. If my childhood pop culture was dominated by Scrooge McDuck, Batman, Ghostbusters, what will theirs be made up of?
Whereas I look back nostalgically on these things, will they be growing up looking back nostalgically on pop culture that was handed down to them to begin with rather than their own, new experiences and media to attach to?
There is, at least so far, been a cycle to nostalgia, typically 40 years with a 20 year microcycle within it. By that, I mean that the producers of the media we consume are often around that age and the products they make find many of their roots in the time from which they were born or growing up.
In a 2012 The New Yorker article called The Forty-Year Itch, Adam Gopnik notes “Though pop culture is most often performed by the young, the directors and programmers and gatekeepers – the suits who control and create its conditions, who make the calls and choose the players – are, and always have been, largely forty-somethings, and the four-decade interval brings us to a period just before the forty-something was born. Forty years past is the potently fascinating time just as we arrived, when our parents were youthful and in love, the Edenic period preceding the fallen state recorded in our actual memories.”
Sometimes, we get a 20 year microcycle when those same producers of media are creating products that remind them of their teen years/young adulthood. But it keeps the cycle going. It’s why we saw things like Happy Days, Laverne and Shirley, American Graffiti, and so much of the 1950s in the 70s (20 year cycle), The Roaring 20’s and Winchester Cathedral in the 60s (40 year cycle), even nostalgia for the turn of the century in films like The Magnificent Ambersons and Take Me Out to the Ballgame by producers of the 1940s.
So, if we’re to look at the 20th century in terms of decade-chunks, each certainly had its moments of originality. It’s why we think of bell bottom jeans, disco, hippies, grunge when we associate with the 70s, 60s, and 90s respectively. But at the same time, living in that decade and producing within that decade were people nostalgic for something that had come before.
Still in the dawn of the 21st century, though, it almost feels like we’re constantly in a state of looking backward. And with the technology that we have at our fingertips it’s never been easier to constantly be re-living the past for whatever we become nostalgic for at any given time. If I want to watch You Can’t Take it With You or Cary Grant in Holiday, I’ll just pop in a DVD. If I want to try and recapture the feeling of laying on the floor of my childhood home, perhaps I get online and find an episode of Count Duckula or Danger Mouse.
Not that remakes are anything new. Heck, The Awful Truth, a 1937 film starring Cary Grant and Irene Dunn was a remake of a 1922 silent film of the same name that was in itself a remake of a theatrical production. But there’s no doubt that we’re living in an era that’s often stuck on the past.
So if many of us (including the producers of media remakes and reboots) are so often looking backward, where does that leave the future? I have to wonder if it’s inevitable that we’re going to hit a point where the decades we look back on were a regurgitation of lookbacks/nostalgia for decades prior to that, versus being their own particular thing.
More importantly, technology has taken away (or at least made it start to fade) the cultural nostalgia we’ve had for the most part up to this point. It’s rare and will get rarer, I think, to have the moments of people clamoring around the series finale of M*A*S*H or spending all summer talking about Who Shot J.R Ewing.
Because when these cultural events happened, choices were much more limited. You went to the movies to see a film. You watched what was on the small number of channels on television. There was no home video market. That didn’t come along until the 1980s (I remember what a thrill it was when my parents, for a birthday party, rented a VCR and Mary Poppins for all us kids in attendance to watch). So many more people shared those media moments together, as a culture.
Today, though, we can hop on Amazon and order a DVD to be here in a matter of days. We can click on Netflix or Hulu, or Amazon Video and with a subscription watch films or TV shows from a back catalog that spans generations. Still not finding your cup of tea? Hop over to YouTube and check out a web series like the new ThirtyNothing and find a new personal favorite.
Our options are almost limitless. We’re no longer bound by just what the major media companies produce as in the past. So what we will become nostalgic for will vary so greatly from the larger, en masse nostalgia of yesteryear.
“Nostalgia used to depend on the denial of access to the subject, on its unreachable presence. Now there is an effective formula to encourage nostalgia,” writes Gil Bartholeyns in The Instant Past: Nostalgia and Digital Retro Photography.
I can’t help but think that technology has made the experiences so individualized now that nostalgia is going to start becoming increasingly less cultural and more individual going forward.
Brian Raferty asked a similar question recently in Wired talking about ‘00s Nostalgia Wave – It Might Be the last Revival, saying “Years from now, when we finally gaze back at the pop highlights of this modern age, will any of us even be looking in the same direction?…My guess is that future waves of nostalgia will focus less on specific pop-cultural explosions and more on the technologies that allowed them to spread. That’s partly because it’s never been easier to tune out the mass culture, making shared moments all the more rare.”
So where does that leave our kids and their childhood of second-generation nostalgia? I don’t know. Even if I were to curb their exposure through my own preferred cartoons, toys, etc, it’s still out there – in remade or rebooted, or sometimes just plain rerun form. What will they look back on when they wax nostalgic about the cartoons and films of their day?
It might be about the technology they watched it on, like how I remember the VHS/Mary Poppins rental above. They could be looking back at what might be considered quaint technology of streaming services where we watched Disney movies from before I was even born.
Or perhaps, for them, they’ll look back on the items they were fond of or associate with their childhood and not care where or when they came from, simply that they existed, and were there for them to enjoy.
I can pontificate forever. But I think, truly, only time will tell.
The Ducktales video was followed by an announcement of a reboot for the show, something I had been pushing for quite some time. Well, not so much a reboot as taking advantage of the audience desire and much of the voice cast still, thankfully with us. Unfortunately, it since has been stated that Disney is not going to be using any of the original Ducktales voice cast, which is quite saddening.
Look, I can understand wanting to give Alan Young, 95 and June Foray, 98 (Scrooge McDuck and Magica DeSpell, respectively) a bit of a rest. And yes, we’ve lost some actors like the great Hamilton Camp (Fenton Crackshell/Gizmoduck) and Hal Smith (Gyro Gearloose and Flintheart Glomgold). But come on, Disney. Terence McGovern, the only voice of Launchpad McQuack, is only 73. Russi Taylor, who voices Huey, Dewey and Louie is only 71. Frank Welker, who voices some of the Beagle Boys is still actively working on Curious George, Scooby Doo and many other television shows at 69.
We’re big Disney Afternoon fans in our house. They made up after-school viewing when Meg and I were growing up and our little guy is just as much a fan, from Rescue Rangers, to Ducktales, to Darkwing Duck (also discussed recently for a possible reboot if the 2017 Ducktales relaunch goes well). There’s just something about those adventures and derring-do that’s still just as captivating today as it was a few decades ago.
I wager this recent video means we’ll be getting news about the previously announced Rescue Rangers CGI/Live Action Feature Film soon.
You would think the media giants were reading this blog (or my mind) with the pop culture news coming out this week, tailor-made for those of us who grew up watching cartoons in the era of John Hughes movies and Balki Bartokomous.
Some time ago, I wrote about my disappointment when childhood favorite Inspector Gadget disappeared off of Netflix‘s streaming service.
Even more recently, I wrote a bit of a public rally for Disney to jump on the wave of nostalgia as my generation becomes parents with kids of their own, to revive such great animated shows as DuckTales or Darkwing Duck.
Well, this week, word came out that Disney IS in fact working on a revival of DuckTales.
“An all-new DuckTales series is coming to Disney XD in 2017! The Emmy Award-winning series from the late ‘80s/early ‘90s is absolutely treasured by our generation, and we are so excited that “every day they’re out there making DuckTales” again,” stated the announcement on Oh My Disney.
“DuckTales has a special place in Disney’s TV animation history, it drew its inspiration from Disney Legend Carl Barks’ comic books and through its storytelling and artistic showmanship, set an enduring standard for animated entertainment that connects with both kids and adults,” said Marc Buhaj, Senior Vice President, Programming and General Manager of Disney XD. “Our new series will bring that same energy and adventurous spirit to a new generation.”
The announcement went on to say that all the familiar faces would be there – Scrooge McDuck, Huey, Dewey, Louie, Launchpad McQuack, Donald Duck, Duckworth, Gyro Gearloose, Flintheart Glomgold, Magica DeSpell, Poe, Ma Beagle, the Beagle Boys, Mrs. Beakley, and Webbigail Vanderquack.
Not sure who is more excited – me or my son, who has taken quite a liking to some classic DuckTales I have at home. Who am I kidding. It’s me who’s more excited. I just hope he’ll watch them with me when 2017 rolls around.
There’s no word yet on the voice cast or format (traditional animation or CGI), but I would be lying if I didn’t say I had a selfish dream that at some point the mucky-mucks at Disney were wise enough to lock Alan Young in a soundbooth for a day to record every phrase and word known to man so it can be plugged into a computer and he can remain the voice of Scrooge McDuck for all time. 🙂 While we’re at it, let’s get June Foray (Magica DeSpell and Ma Beagle) to do the same thing.
Young is 95. Foray is 97. Now would certainly be the time.
Who else but Terence McGovern can voice Launchpad McQuack? I say get McGovern on the horn, pronto! (And maybe get him prepped for a Darkwing Duck revival while we’re at it. 🙂
Hamilton Camp (Fenton Crackshell and Gizmoduck) and Hal Smith (Gyro Gearloose and Flintheart Glomgold), are, sadly, no longer around. Side note – Hal Smith, who also voiced Owl in Winnie the Pooh, and Pooh himself at times, was once a DJ at a radio station in my hometown.
If that morning hadn’t blown up Twitter and Facebook, the additional news in the afternoon that very same day was likely to break the internet, as they say. Netflix announced that Inspector Gadget AND another childhood favorite, Danger Mouse, would be getting revived series via their streaming service.
The new Danger Mouse is slated to appear in Spring 2016 and Inspector Gadget much sooner, in March 2015.
The plot of the new Inspector Gadget show is said to revolve around the villainous Dr. Claw reactivating M.A.D., his global crime syndicate, and Inspector Gadget is tasked with coming out of retirement to stop him.
There is sadly no more Don Adams with us, but I’m hoping that someone did their due diligence and found someone who can like him for this new series. After all, Adams made that character what he is, and you really can’t ‘go in a different direction’ when the entire character’s existence has been formed from that performance.
So, as they say, what’s old is new again. The characters and adventures I grew up loving are back, and I really, really look forward watching them with my own little guy.
Needless to say, I’m excited. Very excited.