Some time back I publicly gushed about what I normally gush about to any parent who will listen – my love of the PBS Kids series Odd Squad.
For those uninitiated, Odd Squad is an organization run by kids that investigate anything odd. Be it people who drink lemonade that turns their head to lemons, being turned into puppets, or stopping blobs and flying books, the agents of Odd Squad are on the case. Using (and through the power of entertainment and television, teaching) math skills, they get the job done with a lot of fun along the way.
And come on. Their Rogues Gallery is made up of the likes of Odd Todd, Noisemaker, Fladam, Symettric Al, Shapeshifter and more, this is creative gimmick-villainy on par with baddies out of Gotham City or The Flash.
It’s the kind of show you love to watch with your kids because it’s just as entertaining for the adults as it is for the young ones. And I love it.
At the time I originally wrote, the show was setting up for a big transition trading in its two leading characters of 40 episodes for, at the time, new, unknown characters. And with so much love for (original agents) Olive and Otto’s adventures combating odd, I wasn’t quite sure what to expect.
But I had faith in the show’s creators to keep the laughs and lessons coming in the same way they had since the beginning, despite any new faces.
And new faces is what we got. Gone were straight-laced Olive (Delila Bela) and goofball Otto (Filip Geljo), off to be bosses of their own Odd Squad branch. I had hoped we would get to keep scientist Oscar (Sean Michael Kyer) around a bit longer, but while his exit seemed necessary following quite the growth spurt between seasons, he did stick around for a few extra episodes to train a protege and allow his change to create perhaps one of my favorite jokes of the show..
We even get some more Dr. O (Peyton Kennedy) for a few episodes, which is fine by me, as her constantly introducing herself as “a doctor” and reminding people how they know her “we work together” never stops being funny.
The biggest upside is that despite the exits of beloved regulars, we still get Millie Davis as Ms. O at the helm, sending agents on their missions, making them scatter with a yell, and best of all, getting to show some great new sides to her with an enlarged role out from behind the boss’ desk in many episodes. She not only helps create a common thread throughout the various cast changes, but is just an absolute delight to watch.
I’m still holding out hope for another 1980s-set episode with Ms. O…sorry…Oprah when she was an agent.
Even Odd Squad arch-nemesis Odd Todd pops by for an episode in this hilariously titled Mid Day in the Garden of Good and Odd where the now reformed-Todd-turned-gardener helps the new agents crack a case only a former villain’s POV could. And along the way, Joshua Kilimnik once again gets the chance to show off his acting abilities jumping between cackling-Todd, conflicted-Todd, and master gardener-Todd.
But wait. All I’ve done is talk about who stuck around, right? Did this show even have a cast change? What are you doing to us, man?!
Okay, okay. So I wanted to get the kudos to the returning champs up front. So what are the major changes we’ve seen. The biggest, of course is who would fill the shoes of Olive and Otto as the squad’s main agents. For that we get the overly-excitable Olympia (Anna Cathcart) and the straight-laced, no-nonsense Otis (Isaac Kragten) in a somewhat personality reversal to Olive and Otto.
I waited a few episodes before deciding what I thought of this new team and I have to say…I like them. I really, really do. I can’t use the term pleasantly surprised because I had faith in the show’s creators to keep delivering the same great casting choices, writing, humor, and production that has made the show so darn enjoyable already. And they didn’t let us down.
The thing is, change can be tough for television audiences, but with Odd Squad, the concept lends itself to periodic change. Grown-ups aren’t allowed to be agents (only bumbling, hapless victims in town and man do I want to play one some day. would several years experience on camera as a News Anchor and a few decades of theater get me a shot? Guys?! Hello? Is this thing on?) so with that in mind, as agents age, they move on and new ones come in.
It’s built right into the concept and so far, the first round of transition has worked pretty well. Carrying over cast members where they can (Oscar for a few episodes, Ms. O and Dr. O more regularly into the new season) help create a level of comfort and familiarity for the audience as new faces emerge. Eventually, those new faces become the regulars as even newer faces could move in. It’s created to be self-sustaining, and the fresh faces means new characters, new situations, and keeps the writers, I would think, on their toes. Kid or adult, this show has never made a bad casting decision yet, providing some of the best acting and comedic timing I’ve ever seen in young actors. It’s hard to come by at any age and Odd Squad does it in spades every time.
The fact of the matter with any type of show that revolves around kids is that kids grow up. We all do. Fortunately with a show like Odd Squad, no matter our age, we can be a kid again.
I hope they’re solving missions for a long time.
I am fascinated with the ways children evolve from their completely dependent forms – making nothing but sounds or cries, but eventually forming words, then sentences, then complete conversations like little adults. From needing to be spoon-fed mushy puree to sitting down to a meal with mommy and daddy like the little human they are.
Lately I’ve gotten to witness more of the evolution as our son, now four, suddenly has begun to recognize words.
We were at Barnes and Noble recently with a friend and her little one, waiting for a cup of tea at the cafe (I love that African Autumn tea) before heading back to the children’s section for some Thomas the Train Engine time and general book browsing. Nearby stood the little countertop with napkins, creamers, stirrers, etc, and the flapping door of the garbage can underneath, with two words embossed across it.
“Does that say thank you?” his little voice asked.
“Does what, buddy?”
“That,” he said, pointing to the flapping door on the garbage can, clearly saying “Thank You” on it to those who throw away their trash and not litter.
“It does, buddy! How did you know that?!”
“I dunno. I just did.”
And thus has been a bit of a trend lately. We’ve been fortunate enough that he’s been interested in and fluent in his alphabet since early on, but this…THIS….to see his eyes move from one end to the other, his mind taking in these letters and putting them together, and recognizing the words they form. It has truly been a remarkable experience, as a parent, and just as a human being.
I thought back to a time in recent months at my mom’s house, where he was hanging out for a bit while Meg and I ran some errands and my mom asked about lunch. Not wanting to give away the options up front and lock ourselves into something he’d hear, we spelled our options, including when she said “I can make g-r-i-l-l-e-d c-h-e-e-s-e?”
“That would be great,” I said.
Then his little voice popped up, “Yeah, I LOVE grilled cheese.”
Or when I asked my wife what she was in the mood to watch as a family one particular evening, The Dick Van Dyke Show, or some Adam West B-a-t-m-a-n.
“Batman?” we heard pipe up.
Suddenly it dawned on me as we stood there at the cafe in front of the thank you sign, hearing him read this aloud, that he’s been doing it, little by little, right along – only I haven’t paid close enough attention to realize these are no flukes.
Seeing this string of word revelations over time is a revelation to me that we are in a brand new stage, one that will open the door to a whole new era of life, and of knowledge for him. I couldn’t be happier. Or prouder.
When something’s odd in your neighborhood, who ya gonna call?
Nope, not those guys.
Not the ladies currently carrying the torch either.
Nope. You’re going to call a group of kids who work for an organization run by kids to investigate the odd.
You call Odd Squad.
I make no bones about my love of the show, which the whole family watches on PBS Kids. Like many great programs, it’s produced out of Canada (which might also explain the appearances by several members of the Kids in the Hall).
Created by Tim McKeon and Adam Peltzman, it’s also co-produced by the Fred Rogers Company (you know, of Mr Rogers) and features a cast of incredibly charming young actors who work for the titular Odd Squad, solving odd incidents with the use of math.
What kind of odd incidents? Well, the kind that certainly appeal to the imagination of a child…and most parents with a good sense of humor – people whose heads turn into lemons upon drinking lemonade, giant cat-spider hybrids, voice-overs following you around. If it’s odd enough, you call these kids.
Though the series premise allows for various Odd Squad agents to get their day in the sun, the core team is made up of four primary team members, partners Olive and Otto, their boss, the usually yelling Miss O, and Oscar, providing the team with gadgets like a Door-inator, the Shrink-inator, the TV-get-out-inator, and, well, you get the idea.
You notice the O pattern in the characters yet? It keeps going. Octavia, Olaf, Oren, etc.
The kid characters themselves hover just around the pre-teen age or younger, leaving the goofy and often clueless supporting characters of the episode (someone in trouble, a villain, etc) to just as well-cast adult actors.
Together, Olive, Otto, and other members of the team find themselves stopping the plans of villains like Odd Todd (who wants the world as odd as he is), Fladam (who stepped on a cube building block as a child and now sets out to flatten all cubes into flat squares), The Shapeshifter (who can change her shape into anything from a tree to another person), among many many other great adult guest stars.
There’s even one episode, the Agatha Christie/Clue-inspired “The Crime at Shapely Manor” that features 3 out of the 5 members of The Kids in the Hall – Kevin McDonald as Lord Rectangle, Mark McKinney as General Pentagon, and Scott Thompson as Professor Square.
But to stop the dastardly villains, the keys to cracking their schemes usually lie in solving any number of math problems, be it what color will Oscar’s infected hand turn next when one sees blue, blue, yellow, blue, blue…you guessed it, yellow, using measurement to stop an on the loose blue blob, or learning how to use a calendar to send a time duplicate of one of their own back into the past. And these math problems are often woven into the storyline so seamlessly that even I don’t seem to notice I’m getting a lesson in the subject I needed the most help in back in school.
Yes, this show provides some valuable math lessons for little ones in a way so entertaining that they’re bound to remember. My son brings up patterns all the time and I’m convinced that he picked it up from the numerous problems agents have had to solve through the use of patterns in the course of the series. But he doesn’t realize that. From his perspective, he’s watching an action-packed adventure with kids stopping threats to the world. The lessons just happen to come along the way amid the derring-do.
Here, in the world of Odd Squad, kids rule. They’re the ones in charge. They’re the ones you call for help when something is incredibly strange. That sense of empowerment is irresistible to both a child and the child still alive in each of us.
In January 2015, Forbes reported that the show’s special Odd Squad Saves the World reported 3.7 million viewers watching the broadcast on PBS with 44 million others watching the episode online. It is no wonder that Odd Squad is such a hit for PBS across age ranges, making it no surprise that a second season is now set to get well underway on June 20, 2016.
However, that new season won’t come without changes.
On Memorial Day, the episode that PBS promos touted as the one where “everything changes” lived up to its hype – with cast members Dalila Bela and Filip Geljo (Olive and Otto, respectively) receiving promotions to become a new “Ms and Mr O” (though, no Otto, you don’t have to get married) to co-run a branch of Odd Squad elsewhere.
I had a feeling this would happen sooner or later, as a show whose entire premise revolved around an organization run by kids can only keep kids in those roles for so long before they age out of them. Though the premise also lends itself to its own self-sustainability. As some cast members grow up and out, the show revolves around the organization, meaning new casts, new agents, new kids can come and go as the series grows. That’s not to say that the fun and charming acting of Bela and Geljo won’t be missed. They are a core reason for the show’s appeal. Though I’m sure both would likely want to be moving toward other material elsewhere in the way of film and television eventually anyway, it would be nice to see them from time to time in a guest appearance if the stars align.
I should note as well, that this episode that changed it all also could lead one to believe it’s the end (at least for now) for recurring villain Odd Todd, played wonderfully and humorously wicked by young actor Joshua Kliminik. As Olive’s former partner turned bad guy out for revenge, and Olive no longer a regular, it seems unlikely Odd Todd has much reason to hang around so much anymore.
It remains to be seen who will take Olive and Otto’s place as the show’s new primary agents, but while the casting of the show thus far has never failed, those are some big blue suits and red ties to fill. It’s comforting to know that the entire cast is not getting an overhaul, with Sean Michael Kyer (Oscar) and Millie Davis (Ms. O) remaining in their roles, hopefully alongside other characters like the hilariously droll lunch lady Oksana or the incredibly serious Dr. O.
I felt like I was watching a finale to any long-running prime time series where viewers inevitably get attached to the characters. When Otto and Olive hugged Ms. O and resident techie Oscar got ready to send the duo on their way, the often humorous actor Sean Michael Kyer had a twinge of sadness in his voice that echoed the same feeling inside many of us watching at home.
Was I really getting this invested in a live action PBS Kids show?
I was. I completely was. And that is due, in no small part to these wonderful young performers, and the writers, directors, and crew that help them bring this goofy, fun world to life each day.
This is not a kids show slapped together and called a day. It’s a goofy, fun, educational, but always entertaining romp that spans age groups and demographics with evident care put into each and every episode.
This show is so entertaining, so amusing, so well written and well acted (and seriously…the odds of finding an entire cast of great kid actors…it doesn’t happen often), makes Odd Squad so darn charming that you don’t even need to be a parent to enjoy it.
Now how in the world can I play one of those goofy grown ups…
So today it was announced that the Children’s Television Workshop, which of course produces the legendary Sesame Street, has inked a deal with HBO to air the next five years worth of new episodes on the premium television channel.
Those new episodes, will then later be made available for airing on PBS Stations.
And I kind of feel like it’s serving a lot of kids and families the leftover scraps.
The program isn’t leaving PBS, its home for the past 45 years. But it is being cut down from an hour to a half-hour and will be reruns that have been re-edited.
Any new episodes of the show will air on HBO first, finding their way to PBS some nine months later. Will these new episodes be an hour on HBO and cut down to a half-hour on PBS as is being done with reruns? Or will they be a half hour on HBO and then presented as-is on PBS? I haven’t found that to be clear just yet.
However, the move to HBO will allow them to nearly double the number of episodes they produce each year, from 18 to 35.
So more episodes. Something that was getting harder to do financially for PBS. That’s good, right? But the only families and children who will get to watch them are those paying for HBO or HBO’s streaming service. Nine months later they’ll be able to catch them on television on PBS.
I can already see the critics of PBS using this in arguments against public funding, citing what seems to be the big thing lately, privatization, or that trendy new buzzword, ‘public-private partnerships’ in the fight against the use of funding for something they may not be a fan of.
Much of this deal is wrapped up in the concept of streaming, something I tend to, admittedly, forget about. HBO will get the exclusive digital/streaming rights to Sesame Street. Many news articles on this deal cite that two-thirds of children watch Sesame Street via a streaming device.
So, if that is the case, two-thirds of children watch Sesame Street via streaming. And that streaming option is now being removed from Netflix, Amazon, and most importantly, the free PBS Kids app. (Or at least, it’s implied it will disappear from the PBS Kids app. That doesn’t seem to be directly addressed in any article I’ve come across so far. I’ll gladly correct if I find one.)
This is nagging at me because I keep thinking about the purpose of Sesame Street being on public television to begin with – to have its educational lessons via entertainment accessible to all, regardless of the economic status of the household.
If you had a television set, whether it was antenna, premium cable, or just basic cable as we have (the cable company refers to it as ‘lifeline cable’ sometimes. It’s just channels 2-13), you could still learn along with Bert, Ernie, Big Bird and company.
I’ve gone back and forth but keep feeling like overall, there’s a loss here for anyone that’s not HBO or an HBO subscriber.
PBS keeps the reruns and down-the-line gets some new episodes and doesn’t have to pay for it. Great, but if all these articles are true, stating that two-thirds of children get Sesame Street via a streaming service or app, then that’s just been taken away from them if their families don’t subscribe to HBO.
If your childhood home gets saved from being torn down, but you don’t get to live in it anymore because it’s not in your financial reach, who is it a win for?
Spring has arrived, and with it, a chance for our son to run around outside to his heart’s content (sometimes even longer). Running, singing, dancing, playing, and possibly the most interesting, exploring the world around him.
It was in my mom’s backyard the other day when my casual sitting and absorbing of sunshine and fresh air was brought to a halt by his urgent need to take me with him elsewhere in the yard. “Me show you something.”
He laid himself down on the cement step outside the back door, saying “Helloooo, ladybug! Dada, there a ladybug down here.”
He loves ladybugs, and I love his constant need to protect them when he finds them. We were even at a playground recently where he thought some holes in red plastic on a slide/tube were ladybugs and didn’t want to go down for fear of hurting them. When I showed him they weren’t ladybugs at all, he felt incredibly relieved and continued on his merry play.
I looked over and there it was. On the ground, next to that cement step, aside from pieces of broken stone and some dirt, was a slightly faded ladybug, still and silent.
Then, he said, “It not real anymore.”
Huh, I thought. What an interesting observation. He was incredibly correct. I knew exactly what he was telling me. The ladybug had long since passed, but it sent me into a swirl of thoughts about how his little mind, a few months shy of three, processes such things.
“It not real anymore.”
The earliest recollection I have of even thinking about death came from the episode of Sesame Street when Mr. Hooper died. And honestly, it still sticks with me to this day. I still get a little sad during Mr Hooper’s scenes as we watch Christmas Eve on Sesame Street.
My first real dealings with death, personally, came in the third grade, when one night I received a phone call to our house (long before cell phones, kids!) from a classmate, who was crying, and told me that a girl in our class had died in a car accident while on a family vacation. A lot of the evening is an emotional blur of a memory, but I remember it having a big impact. I had been very lucky up that age of 8 or 9 or whatever age I was in third grade, in that I didn’t have to deal with death up to that point. So, when it hit that first time, it hit like a rock. I remember being quite a mess, and not being able to really comprehend it all. My grandfather, who lived across the street at the time, came over and talked me through it. I don’t remember what he said, exactly, but I remember some of it was a, sort of, reality-based “they’re gone. they’re not coming back and you’ve got to accept that, deal with it, and do the best you can.” I’m probably not giving him enough credit. It wasn’t a bad talk, it was just to-the-point. But it worked. At least in the long run. I still get emotional about the loss of people in my own life, but my grandfather’s words/lesson always stayed with me that while we can miss someone (or miss a ladybug), you just…find a way, some way to carry on with your own life. It’s different, for sure, but you do it, because, like he said, you can’t change it, no matter how much you want to, so you have to do your best.
Meg’s explained (in some simple terms) for him in the past why one of my parent’s dogs or our neighbor wouldn’t be around anymore. And someday, we will have to have a more in-depth talk on the topic, of course, but for now, I’m okay with him processing that ladybug’s lack of presence however he wants to in order to understand.