The crinkle of leaves, the windy nights.
You can go ahead and enjoy all the pumpkin spice whatever you like. I’ve never been a fan of pumpkin other than decoratively.
For me, other than the aesthetics of a neighborhood or roadways lines with multi-colored leaves, the thing I look forward to the most this time of year is Halloween specials. I’m not a horror movie guy, so Jason, Freddy, the rest of you will have to sit this one out. The old, original Universal crew of Dracula, Frankenstein and friends? Okay, those I’ll get behind. And maybe one day I’ll talk about the wonder that is Abbott and Costello Meet Frankenstein. Or how I have to watch Arsenic & Old Lace with Cary Grant at least once a season.
But beyond those, there’s something I really, really dig this time of year on the same level of those classics, and that’s watching family-friendly Halloween specials with the kids. I love it. Absolutely love it and look forward to it every year. Sometimes it’s a weekend, nighttime treat with a big bowl of popcorn for all of us and some apple cider to sip on. Or, it’s just a spur of the moment afternoon viewing because it’s Autumn and why not?
Either way, Fall and Halloween specials with the kids are my bag, and I wanted to pass along some of my personal favorites to recommend for anyone looking for some non-scary, but intensely entertaining treats for the eyes of your little ones, or even just you.
So, let’s hope into this leaf pile of nostalgia and spooks, shall we?
Silly Symphonies – The Skeleton Dance
The Skeleton Dance, a Walt Disney short from 1929, in all its black and white glory, is simply that – a group of skeletons that come out of the cemetery when the sun goes down and dance the night away, with macabre music made on their very own bones.
Mickey Mouse in Lonesome Ghosts
Lonesome Ghosts is a 1937 Disney short featuring Mickey, Donald, and Goofy as ghost hunters tricked into an old house by a group of mischievous ghosts looking for some entertainment. This one, in full-color, is another Disney classic.
If you possibly get iffy at times about the use of firearms in old cartoons, as I tend to be a bit wary of, know Mickey does bring a shotgun with him into the home. Standard for cartoons of the day, it’s good to know upfront should you want to put it into both a historical and safety context for any young ones, as I’ve tried to while we enjoy. Or, if unlike me, you don’t care about that sort of thing, then enjoy all on its own.
Donald Duck in Trick or Treat
Capping off the Disney trio is my favorite of the three – Trick or Treat from 1952, featuring Huey, Dewey and Louie enlisting the help of a witch named Hazel (voiced by the late, great voiceover legend June Foray) for some Halloween comeuppance against their Uncle Donald, who proves to be the worst uncle in the world with the tricks he plays on the boys.
The opening and closing song of “Trick or Treat” will get stuck in your head, but it’s so much fun to sing, you won’t mind.
Halloween is Grinch Night
I’m always intrigued by the fact that the Grinch was one of Dr. Seuss’ most popular characters, but only appeared in that one published tale when he stole Christmas. Other than that, he’s been relegated to screen appearances, perhaps fueled by the adage about small doses. With its typical Seussian rhymes, it focuses on a young Who from Whoville who confronts the Grinch on Halloween/Grinch Night in an effort to stall him from making it to Whoville and scaring the entire population.
There’s familiar canine companion Max, and a lot of bizarre, surreal elements during the scare-sequence that might seem like something out of a Dali painting brought to life, but in the end, this sing-song tale of facing your fears is a fun Halloween romp that was actually written by Dr. Seuss himself! Minus Karloff this time around, Hans Conried, a familiar face to TV audiences in the 50s/60s and prolific voice-over actor, brings his refined diction to the titular Grinch.
It’s the Great Pumpkin, Charlie Brown
Come on, does this one really need much of a write-up? This one has been a classic for decades.
Though no matter how many years go by, you can’t help but ask why this group of kids are so incredibly mean to poor Charlie Brown (and in this case, Linus, too).
Linus waits in the pumpkin patch for the Great Pumpkin to arrive on Halloween night, while the rest of the Peanuts gang go trick-or-treating in ghost costumes, where ol’ Chuck gets nothing but rocks. While yes, moments in it serve as a great reminder to not be so mean to people (what is your problem all the time, Lucy?!) the classic animation and characters still make it a fun tradition each and every year.
Curious George Halloween Boo Fest
I refer to this as a contemporary classic and it’s quickly become one of my staples of the fall season.
Seriously. I will watch this whether kids are in the room or not. And it’s not just because the Man in the Yellow Hat is my spirit animal.
Taking place primarily at the Man’s country house (my favorite setting for the PBS Kids Curious George TV series, which alternates between their city apartment and the man’s family home in the country), George is intrigued by the neighborhood tales of No-Noggin, the scarecrow whose head disappeared years and years ago and now comes back at Halloween to kick off people’s hats and take them as his own.
Great songs, great characters, and just enough spooky Halloween atmosphere without being scary, this has become such a favorite of mine that when it recently came off of Netflix, I had to go out and buy a copy on DVD so we could have it.
So there’s your homework this season. To enjoy some fun viewings with your little ones or on your own that still stand the test of time in my opinion and are the perfect on-screen companion to the month of October.
Grown-Up Bonus Viewing: Send the kids to bed and delight in all the kitsch of 1970s pop culture with the Paul Lynde Halloween Special, where Mr. Center Square himself guffaws his way through a haunted castle with Margaret “Wicked Witch of the West” Hamilton at his side and cameos by everyone from Betty White, to Florence Henderson, to KISS and H.R. Puffenstuff’s Witchiepoo.
Did you watch PBS when you were a kid?
I did. I certainly can’t remember all of my viewing habits, but I can tell you unequivocally how comfortable, safe, and accepting it felt even as a toddler to be joined by furry friends on Sesame Street every afternoon. Or how I would run to grab my sneakers to tie and sweater to zip up when Mister Rogers would come walking through his door to open up windows to the world around us and remind us what it mean to be a kind, caring person throughout this thing called life.
I remember when Big Bird and I both needed clarity about Mr Hooper not being on Sesame Street anymore and how it’s okay to feel sad about someone leaving our lives, that grieving is a natural part of our emotions when someone dies. To this day I can’t see that scene where the grown-ups tell Big Bird that Mr Hooper isn’t coming back without feeling the same thing I did all those years ago. The handling of the topic, from producers to writers, to cast and crew, remains incredible.
Beyond those shows, I can’t recall too much else that I watched. Maybe Romper Room, and when I was older a show called Square One, mostly because of a series within the series called Mathnet, a Dragnet spoof where math problems were used to solve mysteries.
And now 30+ years later, I can say with certainty that there’s never been a better time to be a PBS parent.
We still get new editions of classics like Sesame Street, going strong at almost 50 years old and still teaching not only basic skills like shapes, numbers, and letters that prepare a child for school, but lessons to hold onto our entire lives, such as kindness, acceptance, and staying true to yourself. And my wife can attest to the childlike glee I get when we see familiar faces like Bob or Gordon pop into even some of the newer episodes.
Likewise, the values, compassion, and wisdom of Fred Rogers live on in Daniel Tiger’s Neighborhood as the residents of the Neighborhood of Make Believe, previously known in puppet form on Mr. Roger’s Neighborhood, spring to life in full-color animation. From sharing, to helping, to dealing with feelings like sadness, jealousy or anger, the lessons of Daniel Tiger’s Neighborhood are essential not just to a child, but to all of us. Our daughter is only starting to speak, but one thing she’s almost guaranteed to utter is the musical tones that accompany the songs in Daniel Tiger when it’s on.
Of course, there’s so much new and exciting on PBS too. While my son enjoys the derring-do and superheroics, I laugh at all the hilarious situations and jokes as WordGirl tries to put villains, bad grammar and misused words to rest.
Ready, Jet, Go has not only kindled a fascination with space exploration in our son, but it has captured the attention and awe of our not quite two year old daughter as well. And, I for one, feel I’ve learned so much as an adult about our universe and the vast possibilities that await us beyond the stars thanks to Jet, his parents and friends, and Astronomer and Host Amy Mainzer.
Nature Cat revels in its silliness while showcasing how much fun can be had and how much can be learned simply by heading out to one’s own backyard, along with a little help from our imagination. It also features, I’m convinced, at least half of the cast of SNL.
Chris and Martin Kratt leap from live action exploration of the animal kingdom into an animated world that stresses the valuable balance of our ecosystem and the role that each animal plays within it. Along with that, of course, comes with the threats to that delicate ecosystem by human kind and those who wish to prey upon the animal and natural world for their own greedy gain. The Kratt Brothers have not only transformed our son into a walking animal encyclopedia of habits and interaction, but have made him aware at such a young age to think about his actions or the actions of others, affect the world around us.
And of course, there’s my favorite, Odd Squad, which I’ve gushed over many a time before, about an agency run by kids that uses math skills to solve problems of oddness in the world. If it’s a man with a fireplace in his stomach, a person with a laugh track following them around, or dog-obsessed villain looking to take over the world, Odd Squad is on the case. With it’s clever writing, excellent acting, and delicious sense of humor, any adult should be watching this show, regardless if there’s a kid in the room with them.
Then, there’s PBS Kids Family Night, which, in our household at least, has become the modern day equivalent of The Wonderful World of Disney that my wife and I enjoyed watching each week as kids. Family-friendly specials, movies, or marathons every Friday night (and rerun Saturday and Sunday night if you miss it) on the 24/7 PBS Kids Channel that have become ritual viewing for us. I pull out the air popper I bought almost 15 years ago, make a bowl of popcorn and we all gather in the living room for anything from Tiger Family Trip to Odd Squad the Movie, or Wild Kratts: Hero’s Journey. Our kids are already chomping at the bit to see the upcoming Ready Jet Go: Return to Bortron 7 coming up on a Family Night edition soon.
We have basic cable, and when we downsized (long before we had kids), we never looked back, finding all we needed in our television viewing right there on that handful of stations. And when we did have kids, PBS (and now PBS Kids, their 24/7 accompanying channel) became the default for children’s programming.
And I wouldn’t have it any other way.
PBS matters. It offers a gateway to the world for anyone with a television set. No premium channels and the associated pay along with it. Whether it’s arts and culture, or math, science, and reading – knowledge never goes out of style. It’s what allows us to understand one another, to find new ways to think, to move our world forward. And I can’t think of a greater way to use the power of broadcasting than to by empowering our children and future generations with the tools to keep our world, our society, ever moving.
Some time back I publicly gushed about what I normally gush about to any parent who will listen – my love of the PBS Kids series Odd Squad.
For those uninitiated, Odd Squad is an organization run by kids that investigate anything odd. Be it people who drink lemonade that turns their head to lemons, being turned into puppets, or stopping blobs and flying books, the agents of Odd Squad are on the case. Using (and through the power of entertainment and television, teaching) math skills, they get the job done with a lot of fun along the way.
And come on. Their Rogues Gallery is made up of the likes of Odd Todd, Noisemaker, Fladam, Symettric Al, Shapeshifter and more, this is creative gimmick-villainy on par with baddies out of Gotham City or The Flash.
It’s the kind of show you love to watch with your kids because it’s just as entertaining for the adults as it is for the young ones. And I love it.
At the time I originally wrote, the show was setting up for a big transition trading in its two leading characters of 40 episodes for, at the time, new, unknown characters. And with so much love for (original agents) Olive and Otto’s adventures combating odd, I wasn’t quite sure what to expect.
But I had faith in the show’s creators to keep the laughs and lessons coming in the same way they had since the beginning, despite any new faces.
And new faces is what we got. Gone were straight-laced Olive (Delila Bela) and goofball Otto (Filip Geljo), off to be bosses of their own Odd Squad branch. I had hoped we would get to keep scientist Oscar (Sean Michael Kyer) around a bit longer, but while his exit seemed necessary following quite the growth spurt between seasons, he did stick around for a few extra episodes to train a protege and allow his change to create perhaps one of my favorite jokes of the show..
We even get some more Dr. O (Peyton Kennedy) for a few episodes, which is fine by me, as her constantly introducing herself as “a doctor” and reminding people how they know her “we work together” never stops being funny.
The biggest upside is that despite the exits of beloved regulars, we still get Millie Davis as Ms. O at the helm, sending agents on their missions, making them scatter with a yell, and best of all, getting to show some great new sides to her with an enlarged role out from behind the boss’ desk in many episodes. She not only helps create a common thread throughout the various cast changes, but is just an absolute delight to watch.
I’m still holding out hope for another 1980s-set episode with Ms. O…sorry…Oprah when she was an agent.
Even Odd Squad arch-nemesis Odd Todd pops by for an episode in this hilariously titled Mid Day in the Garden of Good and Odd where the now reformed-Todd-turned-gardener helps the new agents crack a case only a former villain’s POV could. And along the way, Joshua Kilimnik once again gets the chance to show off his acting abilities jumping between cackling-Todd, conflicted-Todd, and master gardener-Todd.
But wait. All I’ve done is talk about who stuck around, right? Did this show even have a cast change? What are you doing to us, man?!
Okay, okay. So I wanted to get the kudos to the returning champs up front. So what are the major changes we’ve seen. The biggest, of course is who would fill the shoes of Olive and Otto as the squad’s main agents. For that we get the overly-excitable Olympia (Anna Cathcart) and the straight-laced, no-nonsense Otis (Isaac Kragten) in a somewhat personality reversal to Olive and Otto.
I waited a few episodes before deciding what I thought of this new team and I have to say…I like them. I really, really do. I can’t use the term pleasantly surprised because I had faith in the show’s creators to keep delivering the same great casting choices, writing, humor, and production that has made the show so darn enjoyable already. And they didn’t let us down.
The thing is, change can be tough for television audiences, but with Odd Squad, the concept lends itself to periodic change. Grown-ups aren’t allowed to be agents (only bumbling, hapless victims in town and man do I want to play one some day. would several years experience on camera as a News Anchor and a few decades of theater get me a shot? Guys?! Hello? Is this thing on?) so with that in mind, as agents age, they move on and new ones come in.
It’s built right into the concept and so far, the first round of transition has worked pretty well. Carrying over cast members where they can (Oscar for a few episodes, Ms. O and Dr. O more regularly into the new season) help create a level of comfort and familiarity for the audience as new faces emerge. Eventually, those new faces become the regulars as even newer faces could move in. It’s created to be self-sustaining, and the fresh faces means new characters, new situations, and keeps the writers, I would think, on their toes. Kid or adult, this show has never made a bad casting decision yet, providing some of the best acting and comedic timing I’ve ever seen in young actors. It’s hard to come by at any age and Odd Squad does it in spades every time.
The fact of the matter with any type of show that revolves around kids is that kids grow up. We all do. Fortunately with a show like Odd Squad, no matter our age, we can be a kid again.
I hope they’re solving missions for a long time.
When something’s odd in your neighborhood, who ya gonna call?
Nope, not those guys.
Not the ladies currently carrying the torch either.
Nope. You’re going to call a group of kids who work for an organization run by kids to investigate the odd.
You call Odd Squad.
I make no bones about my love of the show, which the whole family watches on PBS Kids. Like many great programs, it’s produced out of Canada (which might also explain the appearances by several members of the Kids in the Hall).
Created by Tim McKeon and Adam Peltzman, it’s also co-produced by the Fred Rogers Company (you know, of Mr Rogers) and features a cast of incredibly charming young actors who work for the titular Odd Squad, solving odd incidents with the use of math.
What kind of odd incidents? Well, the kind that certainly appeal to the imagination of a child…and most parents with a good sense of humor – people whose heads turn into lemons upon drinking lemonade, giant cat-spider hybrids, voice-overs following you around. If it’s odd enough, you call these kids.
Though the series premise allows for various Odd Squad agents to get their day in the sun, the core team is made up of four primary team members, partners Olive and Otto, their boss, the usually yelling Miss O, and Oscar, providing the team with gadgets like a Door-inator, the Shrink-inator, the TV-get-out-inator, and, well, you get the idea.
You notice the O pattern in the characters yet? It keeps going. Octavia, Olaf, Oren, etc.
The kid characters themselves hover just around the pre-teen age or younger, leaving the goofy and often clueless supporting characters of the episode (someone in trouble, a villain, etc) to just as well-cast adult actors.
Together, Olive, Otto, and other members of the team find themselves stopping the plans of villains like Odd Todd (who wants the world as odd as he is), Fladam (who stepped on a cube building block as a child and now sets out to flatten all cubes into flat squares), The Shapeshifter (who can change her shape into anything from a tree to another person), among many many other great adult guest stars.
There’s even one episode, the Agatha Christie/Clue-inspired “The Crime at Shapely Manor” that features 3 out of the 5 members of The Kids in the Hall – Kevin McDonald as Lord Rectangle, Mark McKinney as General Pentagon, and Scott Thompson as Professor Square.
But to stop the dastardly villains, the keys to cracking their schemes usually lie in solving any number of math problems, be it what color will Oscar’s infected hand turn next when one sees blue, blue, yellow, blue, blue…you guessed it, yellow, using measurement to stop an on the loose blue blob, or learning how to use a calendar to send a time duplicate of one of their own back into the past. And these math problems are often woven into the storyline so seamlessly that even I don’t seem to notice I’m getting a lesson in the subject I needed the most help in back in school.
Yes, this show provides some valuable math lessons for little ones in a way so entertaining that they’re bound to remember. My son brings up patterns all the time and I’m convinced that he picked it up from the numerous problems agents have had to solve through the use of patterns in the course of the series. But he doesn’t realize that. From his perspective, he’s watching an action-packed adventure with kids stopping threats to the world. The lessons just happen to come along the way amid the derring-do.
Here, in the world of Odd Squad, kids rule. They’re the ones in charge. They’re the ones you call for help when something is incredibly strange. That sense of empowerment is irresistible to both a child and the child still alive in each of us.
In January 2015, Forbes reported that the show’s special Odd Squad Saves the World reported 3.7 million viewers watching the broadcast on PBS with 44 million others watching the episode online. It is no wonder that Odd Squad is such a hit for PBS across age ranges, making it no surprise that a second season is now set to get well underway on June 20, 2016.
However, that new season won’t come without changes.
On Memorial Day, the episode that PBS promos touted as the one where “everything changes” lived up to its hype – with cast members Dalila Bela and Filip Geljo (Olive and Otto, respectively) receiving promotions to become a new “Ms and Mr O” (though, no Otto, you don’t have to get married) to co-run a branch of Odd Squad elsewhere.
I had a feeling this would happen sooner or later, as a show whose entire premise revolved around an organization run by kids can only keep kids in those roles for so long before they age out of them. Though the premise also lends itself to its own self-sustainability. As some cast members grow up and out, the show revolves around the organization, meaning new casts, new agents, new kids can come and go as the series grows. That’s not to say that the fun and charming acting of Bela and Geljo won’t be missed. They are a core reason for the show’s appeal. Though I’m sure both would likely want to be moving toward other material elsewhere in the way of film and television eventually anyway, it would be nice to see them from time to time in a guest appearance if the stars align.
I should note as well, that this episode that changed it all also could lead one to believe it’s the end (at least for now) for recurring villain Odd Todd, played wonderfully and humorously wicked by young actor Joshua Kliminik. As Olive’s former partner turned bad guy out for revenge, and Olive no longer a regular, it seems unlikely Odd Todd has much reason to hang around so much anymore.
It remains to be seen who will take Olive and Otto’s place as the show’s new primary agents, but while the casting of the show thus far has never failed, those are some big blue suits and red ties to fill. It’s comforting to know that the entire cast is not getting an overhaul, with Sean Michael Kyer (Oscar) and Millie Davis (Ms. O) remaining in their roles, hopefully alongside other characters like the hilariously droll lunch lady Oksana or the incredibly serious Dr. O.
I felt like I was watching a finale to any long-running prime time series where viewers inevitably get attached to the characters. When Otto and Olive hugged Ms. O and resident techie Oscar got ready to send the duo on their way, the often humorous actor Sean Michael Kyer had a twinge of sadness in his voice that echoed the same feeling inside many of us watching at home.
Was I really getting this invested in a live action PBS Kids show?
I was. I completely was. And that is due, in no small part to these wonderful young performers, and the writers, directors, and crew that help them bring this goofy, fun world to life each day.
This is not a kids show slapped together and called a day. It’s a goofy, fun, educational, but always entertaining romp that spans age groups and demographics with evident care put into each and every episode.
This show is so entertaining, so amusing, so well written and well acted (and seriously…the odds of finding an entire cast of great kid actors…it doesn’t happen often), makes Odd Squad so darn charming that you don’t even need to be a parent to enjoy it.
Now how in the world can I play one of those goofy grown ups…