Meg took our son to the dentist this past week and naturally, on my end, there was all sort of anxiety. Even though his last visit went splendidly, I’m still haunted by the very first visit we took when the dentist found several cavities that had to be taken care of.
However, since that first visit, we took the dentist’s advice of using an electric toothbrush and it’s unbelievable the difference that it’s made. While he still had to have the cavities taken care of last time, the dentist noted a marked difference between one visit and the next, the same for our latest.
With that said, his stellar report led to him being able to pick a sticker. And come on, what kid doesn’t love getting a sticker?! He was so proud of himself, he looked past Paw Patrol, Disney, and The Avengers and went for a sticker that read “No Cavity Club.”
Of course, after that, his mind was churning as he regaled mommy with questions about this club, now that he’s a part of it, when they meet, and if the club means he’ll get the chance to meet other kids.
I’m not really a video game guy.
Sure, I played some Nintendo when I was in elementary school, but it was always at a friend’s house. I didn’t own one myself until I was a pre-teen and had earned enough delivering the weekly Pennysaver once a week for the tidy sum of $8 a week to buy one myself. And at that point most people had moved on to Super Nintendo.
But I’ll say that one of the games that was a childhood favorite for me at many a friend’s and was the first that I went out to buy when I had my own NES system was Disney’s DuckTales.
And I am all about the nostalgia of my youth, especially when it comes to DuckTales. Any quotes and notations you find hereon in come from the book Mediated Nostalgia by Ryan Lizardi. Check it out if you want to take a look at what drives you or folks like me to cherish things from our past like Disney ducks so much.
The graphics in retrospect were not the best. You knew who the characters were, but compared to their animated counterparts, seen daily on the Disney afternoon cartoon block, it was the limits of 8 bit gaming graphics in 1989. The storyline didn’t explain much other than that Scrooge had to travel the world, collect treasure, and win. That was it, really. Why these places, why these enemies? The purpose? It was a bit thin, but it was okay. Because the gameplay, its music, and its sheer relationship to a favorite hit cartoon series was fantastic enough to get one hooked that it became one of the most fun games on the system and a part of many collective memories of both cartoons and gaming in the late 80s/early 90s.
For years I remember the mere mention of classic Nintendo with folks often led to one of the conversations – Mario and DuckTales.
My original DuckTales game went, along with any other NES games I had, when I sold my NES system shortly after I got married and we moved into our house. There just wasn’t room for a lot of things, and many of the things that had been sitting in boxes for a lengthy period of time hit the bricks via ebay. NES was one of them. That lack of access certainly added to my desire to play again.
So it’s no wonder that when I got a smartphone with enough memory to do so last year, the only game I ever spent money on was a revisit of that now classic game under the title DuckTales Remastered.
“The economic concern derives from a desire on the part of a film remake producer to construct a maximum audience base consisting of those who are already familiar with the original text and those that are not.” (Lizardi 2015, 118)
Released in 2013, just a bit shy of 25 years since the original game’s release, this is a nostalgic fan’s dream. Because it’s evident from the get-go that, while anyone could play it, this is truly aimed at fans who grew up with the original and now as adults have the chance to revisit not just the game, but a fully improved-upon visual game that taps into your longing for the characters, situations, shows associated with it by adding even more characters, layers, and story to it.
“Considering the specific time period from which many remakes derive their source material, constructing those whose childhoods occurred in the 1970s and 1980s as perpetual nostalgics means economically targeting consumers who are currently somewhere between twenty and forty years old.” (Lizardi 2015, 124)
The gameplay, levels, music, and worlds are virtually the same as it was in 1989 with the exception of enhanced, better looking 3 dimensional backgrounds and two-dimensional characters that are almost identical to their onscreen counterparts in the original animated series.
If that weren’t enough to make me feel nine years old again, the game developers gathered together all of the surviving cast members of the animated series to provide the voices of their characters in the game, which is quite the feat in itself. Alan Young, who voiced Scrooge McDuck was around 93 at the time he provided vocals for the game and he still wasn’t the senior cast member on deck. That goes to June Foray, voicing villainous sorceress Magica DeSpell just as she did in the cartoon series, and doing so at the age of 95. For characters whose voice actor had since passed on, the developers of the game were keen enough to hire very good vocal impersonators who were able to emulate the original voices from the cartoon series.
The voice cast was utilized not just to provide vocals as characters moved through gameplay, grunting if they got hurt or exclaiming as they located treasure. One of the greatest additions to the Remastered version of the game were full animated sequences featuring the characters to provide backstory, segue, and make sense of what otherwise made none for the show’s continuity back in the day of the original game. (How can Scrooge breathe in space? What the heck is GizmoDuck doing on the moon in the first place?)
“These re-imaginings prove time and time again that they are not only aimed at establishing a new audience base for rebooted properties, but are speaking primarily to the already established nostalgic base.” (Lizardi 2015, 130)
With a new DuckTales cartoon series headed to Disney this summer with an updated look, story, and voice cast, I’m sure there’s bound to be another, brand new game of some sort coming. And if it has as much care as has been put into this, it’ll be great.
But, for me, I just want that feeling of being nine years old again at a sleepover at a friend’s house hopping Scrooge through the Amazon, across the Moon, and finding treasure wherever it lay, reliving the adventure not just of a game, but of childhood. Isn’t that what nostalgia’s all about?
It is, and the game developers counted on it.
That title totally sounds like something out of an episode of the 1966 Batman TV Series, doesn’t it?
“…but the Riddler’s clue, Robin. When is a door not a door?”
“When it’s ajar! He’s going to strike at the jarred fruit exhibit at the Gotham Pavilion!”
“I don’t think so, Robin. That’s too obvious. No, his devious mind works like an onion. You must peel back the onions to get to the core of his twisted scheme.”
“Ajar. Ajar…wait, Batman! Isn’t millionaire explorer Thaddeus A. Jar showing off his priceless collection of souvenirs at the Gotham Millionaire’s Club this afternoon?”
“Precisely, Robin! Good work, chum! Let’s race there fast!”
And yet, it’s all I could really come up with.
When is a door much more than a door?
When it gets me so darn excited, that’s when.
We’ve been making a lot of trips recently to what will soon be our son’s new elementary school for a series of Kindergarten nights designed to get the kids used to the environment, to the lessons (lots of tactile activities, games tied into words, letters, etc), and getting to know their soon to be teachers and classmates.
But you’re going to laugh when I tell you that one of the things that got me the most excited during one of these kindergarten prep nights was…just a door. Sure, the nostalgia of a small school, the same hallways, decorations and smells of the ones I remember as a kid sent me swirling into a delirium of reminiscence. But it was when the little guy asked to use the bathroom and I showed him where it was that I had my mind blown.
Look, they’re still little and they’re still figuring things out, and that includes things we take for granted as adults, like knowing how much/little to show in a public bathroom.
So, yeah. I got so excited about a bathroom stall door, I had to write about it.
I should get out more often. Who knows what I’d find.
“Today you are you. That is truer than true. There is no one alive more youer than you.”
That comes from Happy Birthday To You, one of the myriad of books in the catalog of Dr. Seuss masterpieces that decorate many a bookshelf and have influenced any number of childhood, and foster a creativity across all ages.
And today, March 2, 2017 marks the 113th birthday of Dr. Seuss, or Theodore Geisel, as he was born.
You look quite terrific for one hundred thirteen,
the lessons from you, we still every day glean.
These days, it’s hard to think of a time before Seussian rhyming and characters like the Grinch and the Cat in the Hat weren’t part of our everyday culture. Words like Nook, and Grinch have become a part of our lexicon.
There is so much that could be talked about personally about Geisel, who was born to German immigrants in Springfield, Massachusetts. He experienced quite the share of discrimination and hate as a child as Americans fought Germany in the era of The Great War, now known as World War I. He lived on Mulberry Street, and it’s been said that on walks with his older sister, other children would throw bricks at them, spout hateful threats and call them names due to their heritage. It’s said he was the final scout in line to receive a medal when Theodore Roosevelt came to town, but by the time it was his turn, he received no medal but a lecture from Roosevelt. Some historians theorize that anti-German people within the town tampered with the medal count that day and believe that incident teamed with the screaming lecture from TR may have led to the classic Horton Hears a Who Line “a person’s a person, no matter how small.”
Throughout many, if not all of his tales, Geisel seems to have a common theme that resonates no matter our age – fairness, justice for what’s right, doing the right thing, and celebrating the differences among all of us.
Whether it’s Horton in Horton Hears a Who, trying to save the Whos that are on the head of the flower despite the other creatures of the jungle making life downright miserable and tortuous for him, the Sneetches learning that just because some have stars on their bellies and some do not does not mean that they’re truly any different from each other and can get along, or the importance of opening our eyes to what is around us and seeking out knowledge to better understand people, places and our shared world in I Can Read with My Eyes Shut, it’s all about learning to better understand each other.
So many of these books that we read as children, we now read to our own kids. A well-preserved copy of One Fish, Two Fish, Red Fish, Blue Fish of mine now sits on my son’s bookshelf amid other classic Seuss outings as well as some newer editions by new authors influenced by his trademark style. Most notable of these newer entries is The Cat in the Hat Learning Library series, which our son adores, each book engaging young minds as the Cat and his rhymes teach about everything from bugs, to space, to money, or animals.
One of the running gags between my son and I are to suddenly take our conversations into rhyming territory, going back and forth, sometimes to a point where he ends up making up his own Seussian type words just to keep the rhyme going.
And while it’s all in good fun, it’s even better to know that some researchers say there’s more than just the silliness behind Dr. Seuss’ rhymes.
“The words that he made up are fun for children — they see the cleverness behind the word construct and the meaning of the word,” said Ann Neely, a professor of children’s literature at Vanderbilt University’s Peabody College in Nashville, Tennessee told Live Science in 2015.
It is true that some parents have concerns about the silly, made-up Seussian words, that it could lead to confusion in children, but Neely goes on to say that all that nonsensical jumble actually helps children on the path to reading, raising their awareness of the sounds that letters make.
“The words that he made up were often funny, and it helps children with their literacy skills later on as they’re learning to read if they’ve heard how language can be played with,” Neely also told Live Science.
She added that the predictable rhythm of the sentences also could play a large role in teaching children to read.
“That gave children confidence in their own reading ability,” Neely said. “In some ways, it’s like Mother Goose rhymes, in that when we say, ‘Oh, he’s like Humpty Dumpty,’ we know that it’s because ‘all the king’s horses and all the king’s men couldn’t put Humpty together again.'”
Theodore Geisel or Dr. Seuss leaves a legacy that still carries on generation after generation, and as I say, it’s hard to imagine a world without his imagination, his doodles, his rhyme, and his wonderful way to make us all think about the world we share.
“Shout loud, I am lucky to be what I am! Thank goodness I’m not just a clam or a ham! Or a dusty old jar of gooseberry ham!”
What’s your favorite Seussian tale?
Some time back I publicly gushed about what I normally gush about to any parent who will listen – my love of the PBS Kids series Odd Squad.
For those uninitiated, Odd Squad is an organization run by kids that investigate anything odd. Be it people who drink lemonade that turns their head to lemons, being turned into puppets, or stopping blobs and flying books, the agents of Odd Squad are on the case. Using (and through the power of entertainment and television, teaching) math skills, they get the job done with a lot of fun along the way.
And come on. Their Rogues Gallery is made up of the likes of Odd Todd, Noisemaker, Fladam, Symettric Al, Shapeshifter and more, this is creative gimmick-villainy on par with baddies out of Gotham City or The Flash.
It’s the kind of show you love to watch with your kids because it’s just as entertaining for the adults as it is for the young ones. And I love it.
At the time I originally wrote, the show was setting up for a big transition trading in its two leading characters of 40 episodes for, at the time, new, unknown characters. And with so much love for (original agents) Olive and Otto’s adventures combating odd, I wasn’t quite sure what to expect.
But I had faith in the show’s creators to keep the laughs and lessons coming in the same way they had since the beginning, despite any new faces.
And new faces is what we got. Gone were straight-laced Olive (Delila Bela) and goofball Otto (Filip Geljo), off to be bosses of their own Odd Squad branch. I had hoped we would get to keep scientist Oscar (Sean Michael Kyer) around a bit longer, but while his exit seemed necessary following quite the growth spurt between seasons, he did stick around for a few extra episodes to train a protege and allow his change to create perhaps one of my favorite jokes of the show..
We even get some more Dr. O (Peyton Kennedy) for a few episodes, which is fine by me, as her constantly introducing herself as “a doctor” and reminding people how they know her “we work together” never stops being funny.
The biggest upside is that despite the exits of beloved regulars, we still get Millie Davis as Ms. O at the helm, sending agents on their missions, making them scatter with a yell, and best of all, getting to show some great new sides to her with an enlarged role out from behind the boss’ desk in many episodes. She not only helps create a common thread throughout the various cast changes, but is just an absolute delight to watch.
I’m still holding out hope for another 1980s-set episode with Ms. O…sorry…Oprah when she was an agent.
Even Odd Squad arch-nemesis Odd Todd pops by for an episode in this hilariously titled Mid Day in the Garden of Good and Odd where the now reformed-Todd-turned-gardener helps the new agents crack a case only a former villain’s POV could. And along the way, Joshua Kilimnik once again gets the chance to show off his acting abilities jumping between cackling-Todd, conflicted-Todd, and master gardener-Todd.
But wait. All I’ve done is talk about who stuck around, right? Did this show even have a cast change? What are you doing to us, man?!
Okay, okay. So I wanted to get the kudos to the returning champs up front. So what are the major changes we’ve seen. The biggest, of course is who would fill the shoes of Olive and Otto as the squad’s main agents. For that we get the overly-excitable Olympia (Anna Cathcart) and the straight-laced, no-nonsense Otis (Isaac Kragten) in a somewhat personality reversal to Olive and Otto.
I waited a few episodes before deciding what I thought of this new team and I have to say…I like them. I really, really do. I can’t use the term pleasantly surprised because I had faith in the show’s creators to keep delivering the same great casting choices, writing, humor, and production that has made the show so darn enjoyable already. And they didn’t let us down.
The thing is, change can be tough for television audiences, but with Odd Squad, the concept lends itself to periodic change. Grown-ups aren’t allowed to be agents (only bumbling, hapless victims in town and man do I want to play one some day. would several years experience on camera as a News Anchor and a few decades of theater get me a shot? Guys?! Hello? Is this thing on?) so with that in mind, as agents age, they move on and new ones come in.
It’s built right into the concept and so far, the first round of transition has worked pretty well. Carrying over cast members where they can (Oscar for a few episodes, Ms. O and Dr. O more regularly into the new season) help create a level of comfort and familiarity for the audience as new faces emerge. Eventually, those new faces become the regulars as even newer faces could move in. It’s created to be self-sustaining, and the fresh faces means new characters, new situations, and keeps the writers, I would think, on their toes. Kid or adult, this show has never made a bad casting decision yet, providing some of the best acting and comedic timing I’ve ever seen in young actors. It’s hard to come by at any age and Odd Squad does it in spades every time.
The fact of the matter with any type of show that revolves around kids is that kids grow up. We all do. Fortunately with a show like Odd Squad, no matter our age, we can be a kid again.
I hope they’re solving missions for a long time.