I grew up reading comic books. It all goes back to that copy of Uncle Scrooge in “North of the Yukon” that was in a pile of old comics my grandmother kept in the closet for when we were home sick from school. I sat on the couch, leafed through its colorful pages (and beautiful Carl Barks artwork, even if I didn’t know it was him back then) and fell down a rabbit hole that has now been going on for more than thirty years.
As I became a parent, though, my perspective changed a bit and I started actively seeking out comics that were suitable and enjoyable for the entire family, not just the 13 and up audience.
And that brings me to Lacey & Lily, a comic book series that I have been absolutely thrilled to be a part of, penning Lacey’s adventures alongside the incredible artistic storytelling talents of Andrew Cieslinski.
Lacey & Lily is a comic book series with an initial story spanning four chapters (issues). It’s the story of a middle school girl named Lacey, and her dog, Lily, who discover a pair of costumes in her late grandmother’s old trunk and while playing with them in the backyard discover they give them super powers.
Being the pure of heart and noble girl she is, Lacey and Lily put their newfound powers to work helping others, from stopping bullies, helping the elderly, or stopping a super-villain or alien invasion. You know, whatever a typical Tuesday brings about.
It’s fun, it’s adventure, and it’s family. Through her actions in and out of costume, Lacey shows that it doesn’t matter your age, your gender, your size, that anybody has the makings of a hero.
This book and this entire process has been a collaboration in the truest sense of the word between myself and the incredibly talented artist Andrew Cieslinski. We truly work together creating and building this world and it’s been a wonderful ride so far doing so.
The books are already available digitally via the Amazon Kindle and comiXology, but this Kickstarter campaign is to raise enough money for a large-scale print run of the first two issues of the series, which will allow us to get the book into the hands of many more readers around the world.
We have until 9 a.m. on August 5 to raise all our funds and make this a reality.
Lacey & Lily is aimed at all-ages, meaning it’s okay for kids and just as much fun for adults.
Hoping you’ll give it (and us) a shot!
I’m not really a video game guy.
Sure, I played some Nintendo when I was in elementary school, but it was always at a friend’s house. I didn’t own one myself until I was a pre-teen and had earned enough delivering the weekly Pennysaver once a week for the tidy sum of $8 a week to buy one myself. And at that point most people had moved on to Super Nintendo.
But I’ll say that one of the games that was a childhood favorite for me at many a friend’s and was the first that I went out to buy when I had my own NES system was Disney’s DuckTales.
And I am all about the nostalgia of my youth, especially when it comes to DuckTales. Any quotes and notations you find hereon in come from the book Mediated Nostalgia by Ryan Lizardi. Check it out if you want to take a look at what drives you or folks like me to cherish things from our past like Disney ducks so much.
The graphics in retrospect were not the best. You knew who the characters were, but compared to their animated counterparts, seen daily on the Disney afternoon cartoon block, it was the limits of 8 bit gaming graphics in 1989. The storyline didn’t explain much other than that Scrooge had to travel the world, collect treasure, and win. That was it, really. Why these places, why these enemies? The purpose? It was a bit thin, but it was okay. Because the gameplay, its music, and its sheer relationship to a favorite hit cartoon series was fantastic enough to get one hooked that it became one of the most fun games on the system and a part of many collective memories of both cartoons and gaming in the late 80s/early 90s.
For years I remember the mere mention of classic Nintendo with folks often led to one of the conversations – Mario and DuckTales.
My original DuckTales game went, along with any other NES games I had, when I sold my NES system shortly after I got married and we moved into our house. There just wasn’t room for a lot of things, and many of the things that had been sitting in boxes for a lengthy period of time hit the bricks via ebay. NES was one of them. That lack of access certainly added to my desire to play again.
So it’s no wonder that when I got a smartphone with enough memory to do so last year, the only game I ever spent money on was a revisit of that now classic game under the title DuckTales Remastered.
“The economic concern derives from a desire on the part of a film remake producer to construct a maximum audience base consisting of those who are already familiar with the original text and those that are not.” (Lizardi 2015, 118)
Released in 2013, just a bit shy of 25 years since the original game’s release, this is a nostalgic fan’s dream. Because it’s evident from the get-go that, while anyone could play it, this is truly aimed at fans who grew up with the original and now as adults have the chance to revisit not just the game, but a fully improved-upon visual game that taps into your longing for the characters, situations, shows associated with it by adding even more characters, layers, and story to it.
“Considering the specific time period from which many remakes derive their source material, constructing those whose childhoods occurred in the 1970s and 1980s as perpetual nostalgics means economically targeting consumers who are currently somewhere between twenty and forty years old.” (Lizardi 2015, 124)
The gameplay, levels, music, and worlds are virtually the same as it was in 1989 with the exception of enhanced, better looking 3 dimensional backgrounds and two-dimensional characters that are almost identical to their onscreen counterparts in the original animated series.
If that weren’t enough to make me feel nine years old again, the game developers gathered together all of the surviving cast members of the animated series to provide the voices of their characters in the game, which is quite the feat in itself. Alan Young, who voiced Scrooge McDuck was around 93 at the time he provided vocals for the game and he still wasn’t the senior cast member on deck. That goes to June Foray, voicing villainous sorceress Magica DeSpell just as she did in the cartoon series, and doing so at the age of 95. For characters whose voice actor had since passed on, the developers of the game were keen enough to hire very good vocal impersonators who were able to emulate the original voices from the cartoon series.
The voice cast was utilized not just to provide vocals as characters moved through gameplay, grunting if they got hurt or exclaiming as they located treasure. One of the greatest additions to the Remastered version of the game were full animated sequences featuring the characters to provide backstory, segue, and make sense of what otherwise made none for the show’s continuity back in the day of the original game. (How can Scrooge breathe in space? What the heck is GizmoDuck doing on the moon in the first place?)
“These re-imaginings prove time and time again that they are not only aimed at establishing a new audience base for rebooted properties, but are speaking primarily to the already established nostalgic base.” (Lizardi 2015, 130)
With a new DuckTales cartoon series headed to Disney this summer with an updated look, story, and voice cast, I’m sure there’s bound to be another, brand new game of some sort coming. And if it has as much care as has been put into this, it’ll be great.
But, for me, I just want that feeling of being nine years old again at a sleepover at a friend’s house hopping Scrooge through the Amazon, across the Moon, and finding treasure wherever it lay, reliving the adventure not just of a game, but of childhood. Isn’t that what nostalgia’s all about?
It is, and the game developers counted on it.
You would think the media giants were reading this blog (or my mind) with the pop culture news coming out this week, tailor-made for those of us who grew up watching cartoons in the era of John Hughes movies and Balki Bartokomous.
Some time ago, I wrote about my disappointment when childhood favorite Inspector Gadget disappeared off of Netflix‘s streaming service.
Even more recently, I wrote a bit of a public rally for Disney to jump on the wave of nostalgia as my generation becomes parents with kids of their own, to revive such great animated shows as DuckTales or Darkwing Duck.
Well, this week, word came out that Disney IS in fact working on a revival of DuckTales.
“An all-new DuckTales series is coming to Disney XD in 2017! The Emmy Award-winning series from the late ‘80s/early ‘90s is absolutely treasured by our generation, and we are so excited that “every day they’re out there making DuckTales” again,” stated the announcement on Oh My Disney.
“DuckTales has a special place in Disney’s TV animation history, it drew its inspiration from Disney Legend Carl Barks’ comic books and through its storytelling and artistic showmanship, set an enduring standard for animated entertainment that connects with both kids and adults,” said Marc Buhaj, Senior Vice President, Programming and General Manager of Disney XD. “Our new series will bring that same energy and adventurous spirit to a new generation.”
The announcement went on to say that all the familiar faces would be there – Scrooge McDuck, Huey, Dewey, Louie, Launchpad McQuack, Donald Duck, Duckworth, Gyro Gearloose, Flintheart Glomgold, Magica DeSpell, Poe, Ma Beagle, the Beagle Boys, Mrs. Beakley, and Webbigail Vanderquack.
Not sure who is more excited – me or my son, who has taken quite a liking to some classic DuckTales I have at home. Who am I kidding. It’s me who’s more excited. I just hope he’ll watch them with me when 2017 rolls around.
There’s no word yet on the voice cast or format (traditional animation or CGI), but I would be lying if I didn’t say I had a selfish dream that at some point the mucky-mucks at Disney were wise enough to lock Alan Young in a soundbooth for a day to record every phrase and word known to man so it can be plugged into a computer and he can remain the voice of Scrooge McDuck for all time. 🙂 While we’re at it, let’s get June Foray (Magica DeSpell and Ma Beagle) to do the same thing.
Young is 95. Foray is 97. Now would certainly be the time.
Who else but Terence McGovern can voice Launchpad McQuack? I say get McGovern on the horn, pronto! (And maybe get him prepped for a Darkwing Duck revival while we’re at it. 🙂
Hamilton Camp (Fenton Crackshell and Gizmoduck) and Hal Smith (Gyro Gearloose and Flintheart Glomgold), are, sadly, no longer around. Side note – Hal Smith, who also voiced Owl in Winnie the Pooh, and Pooh himself at times, was once a DJ at a radio station in my hometown.
If that morning hadn’t blown up Twitter and Facebook, the additional news in the afternoon that very same day was likely to break the internet, as they say. Netflix announced that Inspector Gadget AND another childhood favorite, Danger Mouse, would be getting revived series via their streaming service.
The new Danger Mouse is slated to appear in Spring 2016 and Inspector Gadget much sooner, in March 2015.
The plot of the new Inspector Gadget show is said to revolve around the villainous Dr. Claw reactivating M.A.D., his global crime syndicate, and Inspector Gadget is tasked with coming out of retirement to stop him.
There is sadly no more Don Adams with us, but I’m hoping that someone did their due diligence and found someone who can like him for this new series. After all, Adams made that character what he is, and you really can’t ‘go in a different direction’ when the entire character’s existence has been formed from that performance.
So, as they say, what’s old is new again. The characters and adventures I grew up loving are back, and I really, really look forward watching them with my own little guy.
Needless to say, I’m excited. Very excited.
Yeah, me neither. Until I had a two-year old that it is.
The little guy has been quite a fan of “Mickey’s Christmas Carol” – an affection not just limited to this time of year. He’s requested to watch it pretty regularly since Summer, actually. It’s started a love of “Unca Scrooge” that has transitioned into flipping through many of my old comics (and any new ones we can find for him) featuring the World’s Richest Duck.
But it’s also made him familiar with characters that, through the Disney-Mickey interpretation, he might otherwise be completely unaware of – at least at two and a half years old, that is.
He talks about Tiny Tim, he talks about Scrooge, and he talks about the Ghost – most importantly, Marley’s ghost. He narrates the special for us, telling me “Marley ghost is comin.” or “Giant ghost in Scrooge’s room!” mere seconds before it happens on screen.
And not just limited to Dickens, it has made me appreciate how interpretations can resonate with audiences and individuals far more than the original source material. While he has to inclination to want to pick up a copy of Dickens’ classic – even if it were in board or Little Golden Book form, he knows this story, its themes (“Scrooge mean”…”Scrooge bein’ nice now,” as he says) because of this particular interpretation of the story.
Literary Purists might balk at this, but honestly, I find it wonderful that a toddler is understanding the characters, themes, and story in such a morality tale, thanks to it being told to him through characters he likes and understands.
With that said, that affection and familiarity seems to transition far out of the TV screen. This entire Christmas season he has been putting blankets on his head and walking around the house saying “me a ghost!”
The other night, he made me hide under the blanket with him. There I was, in darkness, with the face of my amazing little boy, also sitting under the blanket, staring right at me with a huge smile.
“Dada, we play game?”
“What game could we play under here, buddy?”
“We play Jacob Marley game.”
“How do we play the Jacob Marley Game?”
(i pretend to be frightened and his giggling ensures)
There’s that song lyric about the ‘scary ghost stories’ of Christmas’ long, long ago.
Well don’t call it a comeback. If you ask this kid, they never left. 🙂