Our two and a half year old daughter has a book she adores called 5-Minute Pinkalicious Stories, filled with 12 different stories featuring her favorite animated counterpart, Pinkalicious. It was found in her Easter basket, a gift from that hippity hoppity Easter Bunny, and has become a staple of almost every evening storytime.
Twelve stories and adventures in imagination to choose from. Yet, of those twelve, we’ve probably read three. And of those three, two have been read only once. Instead, we’ve read “Pinkalicious and the Sick Day” several nights a week for the past two months. At times I feel like I could recite it in my sleep and tell you all about Pinkalicious getting chosen to be Principal for the Day before getting sick, or Principal Hart getting sick, or having pink tea with mommy while home from school. For a while I had tried to encourage, perhaps, any of the other stories inside the book collection as I grew slightly weary of this same tale over and over again, or our 5 ½ year old son growing impatient with the same story and losing focus, moving about the room with attention anywhere but the story he’s sat through as well for so many times.
I just couldn’t understand why we were doing this again, and again, and again, but I obliged and we read “Pinkalicious and the Sick Day” night after night upon her request. Then one night, I got it. It took some pointing out from Meg, but I got it.
One night, within the past week or two, our daughter insisted that she wanted to read the story to us. “Okay…” we said, agreeing but unsure of what we were in for, handing the book over to her excited little hands. “Pinkalicious and the Sick Day!” she happily shouted and then….began telling us the story. No, she wasn’t reading it, but she was telling it, following along on each page and illustration, giving us an abbreviated, but still accurate story, with complete sentences taken right off the page as had been read to her.
She was retaining, she was remembering, and she was comprehending it.
That was the power of repetition on her young mind.
A study out of the University of Sussex has shown not only the vocabulary benefits of children hearing the same stories over and over, but that they actually may receive more benefit from fewer stories on repeat than newer stories all the time.
“…each time a child hears the book they are picking up new information,” says Psychologist Dr Jessica Horst who led the study. “The first time it might just be the story, the second time they are noticing details of description, and so on. If the new word is introduced in a variety of contexts – as happened with those who were read three different stories – children are less likely to focus on the new word.”
So, the next time she wants to hear about Pinkalicious’ Sick Day for the 79th time, or once again “read it” to us, I’m all ears, because I know she is too.
Did you watch PBS when you were a kid?
I did. I certainly can’t remember all of my viewing habits, but I can tell you unequivocally how comfortable, safe, and accepting it felt even as a toddler to be joined by furry friends on Sesame Street every afternoon. Or how I would run to grab my sneakers to tie and sweater to zip up when Mister Rogers would come walking through his door to open up windows to the world around us and remind us what it mean to be a kind, caring person throughout this thing called life.
I remember when Big Bird and I both needed clarity about Mr Hooper not being on Sesame Street anymore and how it’s okay to feel sad about someone leaving our lives, that grieving is a natural part of our emotions when someone dies. To this day I can’t see that scene where the grown-ups tell Big Bird that Mr Hooper isn’t coming back without feeling the same thing I did all those years ago. The handling of the topic, from producers to writers, to cast and crew, remains incredible.
Beyond those shows, I can’t recall too much else that I watched. Maybe Romper Room, and when I was older a show called Square One, mostly because of a series within the series called Mathnet, a Dragnet spoof where math problems were used to solve mysteries.
And now 30+ years later, I can say with certainty that there’s never been a better time to be a PBS parent.
We still get new editions of classics like Sesame Street, going strong at almost 50 years old and still teaching not only basic skills like shapes, numbers, and letters that prepare a child for school, but lessons to hold onto our entire lives, such as kindness, acceptance, and staying true to yourself. And my wife can attest to the childlike glee I get when we see familiar faces like Bob or Gordon pop into even some of the newer episodes.
Likewise, the values, compassion, and wisdom of Fred Rogers live on in Daniel Tiger’s Neighborhood as the residents of the Neighborhood of Make Believe, previously known in puppet form on Mr. Roger’s Neighborhood, spring to life in full-color animation. From sharing, to helping, to dealing with feelings like sadness, jealousy or anger, the lessons of Daniel Tiger’s Neighborhood are essential not just to a child, but to all of us. Our daughter is only starting to speak, but one thing she’s almost guaranteed to utter is the musical tones that accompany the songs in Daniel Tiger when it’s on.
Of course, there’s so much new and exciting on PBS too. While my son enjoys the derring-do and superheroics, I laugh at all the hilarious situations and jokes as WordGirl tries to put villains, bad grammar and misused words to rest.
Ready, Jet, Go has not only kindled a fascination with space exploration in our son, but it has captured the attention and awe of our not quite two year old daughter as well. And, I for one, feel I’ve learned so much as an adult about our universe and the vast possibilities that await us beyond the stars thanks to Jet, his parents and friends, and Astronomer and Host Amy Mainzer.
Nature Cat revels in its silliness while showcasing how much fun can be had and how much can be learned simply by heading out to one’s own backyard, along with a little help from our imagination. It also features, I’m convinced, at least half of the cast of SNL.
Chris and Martin Kratt leap from live action exploration of the animal kingdom into an animated world that stresses the valuable balance of our ecosystem and the role that each animal plays within it. Along with that, of course, comes with the threats to that delicate ecosystem by human kind and those who wish to prey upon the animal and natural world for their own greedy gain. The Kratt Brothers have not only transformed our son into a walking animal encyclopedia of habits and interaction, but have made him aware at such a young age to think about his actions or the actions of others, affect the world around us.
And of course, there’s my favorite, Odd Squad, which I’ve gushed over many a time before, about an agency run by kids that uses math skills to solve problems of oddness in the world. If it’s a man with a fireplace in his stomach, a person with a laugh track following them around, or dog-obsessed villain looking to take over the world, Odd Squad is on the case. With it’s clever writing, excellent acting, and delicious sense of humor, any adult should be watching this show, regardless if there’s a kid in the room with them.
Then, there’s PBS Kids Family Night, which, in our household at least, has become the modern day equivalent of The Wonderful World of Disney that my wife and I enjoyed watching each week as kids. Family-friendly specials, movies, or marathons every Friday night (and rerun Saturday and Sunday night if you miss it) on the 24/7 PBS Kids Channel that have become ritual viewing for us. I pull out the air popper I bought almost 15 years ago, make a bowl of popcorn and we all gather in the living room for anything from Tiger Family Trip to Odd Squad the Movie, or Wild Kratts: Hero’s Journey. Our kids are already chomping at the bit to see the upcoming Ready Jet Go: Return to Bortron 7 coming up on a Family Night edition soon.
We have basic cable, and when we downsized (long before we had kids), we never looked back, finding all we needed in our television viewing right there on that handful of stations. And when we did have kids, PBS (and now PBS Kids, their 24/7 accompanying channel) became the default for children’s programming.
And I wouldn’t have it any other way.
PBS matters. It offers a gateway to the world for anyone with a television set. No premium channels and the associated pay along with it. Whether it’s arts and culture, or math, science, and reading – knowledge never goes out of style. It’s what allows us to understand one another, to find new ways to think, to move our world forward. And I can’t think of a greater way to use the power of broadcasting than to by empowering our children and future generations with the tools to keep our world, our society, ever moving.
Some time back I publicly gushed about what I normally gush about to any parent who will listen – my love of the PBS Kids series Odd Squad.
For those uninitiated, Odd Squad is an organization run by kids that investigate anything odd. Be it people who drink lemonade that turns their head to lemons, being turned into puppets, or stopping blobs and flying books, the agents of Odd Squad are on the case. Using (and through the power of entertainment and television, teaching) math skills, they get the job done with a lot of fun along the way.
And come on. Their Rogues Gallery is made up of the likes of Odd Todd, Noisemaker, Fladam, Symettric Al, Shapeshifter and more, this is creative gimmick-villainy on par with baddies out of Gotham City or The Flash.
It’s the kind of show you love to watch with your kids because it’s just as entertaining for the adults as it is for the young ones. And I love it.
At the time I originally wrote, the show was setting up for a big transition trading in its two leading characters of 40 episodes for, at the time, new, unknown characters. And with so much love for (original agents) Olive and Otto’s adventures combating odd, I wasn’t quite sure what to expect.
But I had faith in the show’s creators to keep the laughs and lessons coming in the same way they had since the beginning, despite any new faces.
And new faces is what we got. Gone were straight-laced Olive (Delila Bela) and goofball Otto (Filip Geljo), off to be bosses of their own Odd Squad branch. I had hoped we would get to keep scientist Oscar (Sean Michael Kyer) around a bit longer, but while his exit seemed necessary following quite the growth spurt between seasons, he did stick around for a few extra episodes to train a protege and allow his change to create perhaps one of my favorite jokes of the show..
We even get some more Dr. O (Peyton Kennedy) for a few episodes, which is fine by me, as her constantly introducing herself as “a doctor” and reminding people how they know her “we work together” never stops being funny.
The biggest upside is that despite the exits of beloved regulars, we still get Millie Davis as Ms. O at the helm, sending agents on their missions, making them scatter with a yell, and best of all, getting to show some great new sides to her with an enlarged role out from behind the boss’ desk in many episodes. She not only helps create a common thread throughout the various cast changes, but is just an absolute delight to watch.
I’m still holding out hope for another 1980s-set episode with Ms. O…sorry…Oprah when she was an agent.
Even Odd Squad arch-nemesis Odd Todd pops by for an episode in this hilariously titled Mid Day in the Garden of Good and Odd where the now reformed-Todd-turned-gardener helps the new agents crack a case only a former villain’s POV could. And along the way, Joshua Kilimnik once again gets the chance to show off his acting abilities jumping between cackling-Todd, conflicted-Todd, and master gardener-Todd.
But wait. All I’ve done is talk about who stuck around, right? Did this show even have a cast change? What are you doing to us, man?!
Okay, okay. So I wanted to get the kudos to the returning champs up front. So what are the major changes we’ve seen. The biggest, of course is who would fill the shoes of Olive and Otto as the squad’s main agents. For that we get the overly-excitable Olympia (Anna Cathcart) and the straight-laced, no-nonsense Otis (Isaac Kragten) in a somewhat personality reversal to Olive and Otto.
I waited a few episodes before deciding what I thought of this new team and I have to say…I like them. I really, really do. I can’t use the term pleasantly surprised because I had faith in the show’s creators to keep delivering the same great casting choices, writing, humor, and production that has made the show so darn enjoyable already. And they didn’t let us down.
The thing is, change can be tough for television audiences, but with Odd Squad, the concept lends itself to periodic change. Grown-ups aren’t allowed to be agents (only bumbling, hapless victims in town and man do I want to play one some day. would several years experience on camera as a News Anchor and a few decades of theater get me a shot? Guys?! Hello? Is this thing on?) so with that in mind, as agents age, they move on and new ones come in.
It’s built right into the concept and so far, the first round of transition has worked pretty well. Carrying over cast members where they can (Oscar for a few episodes, Ms. O and Dr. O more regularly into the new season) help create a level of comfort and familiarity for the audience as new faces emerge. Eventually, those new faces become the regulars as even newer faces could move in. It’s created to be self-sustaining, and the fresh faces means new characters, new situations, and keeps the writers, I would think, on their toes. Kid or adult, this show has never made a bad casting decision yet, providing some of the best acting and comedic timing I’ve ever seen in young actors. It’s hard to come by at any age and Odd Squad does it in spades every time.
The fact of the matter with any type of show that revolves around kids is that kids grow up. We all do. Fortunately with a show like Odd Squad, no matter our age, we can be a kid again.
I hope they’re solving missions for a long time.
When something’s odd in your neighborhood, who ya gonna call?
Nope, not those guys.
Not the ladies currently carrying the torch either.
Nope. You’re going to call a group of kids who work for an organization run by kids to investigate the odd.
You call Odd Squad.
I make no bones about my love of the show, which the whole family watches on PBS Kids. Like many great programs, it’s produced out of Canada (which might also explain the appearances by several members of the Kids in the Hall).
Created by Tim McKeon and Adam Peltzman, it’s also co-produced by the Fred Rogers Company (you know, of Mr Rogers) and features a cast of incredibly charming young actors who work for the titular Odd Squad, solving odd incidents with the use of math.
What kind of odd incidents? Well, the kind that certainly appeal to the imagination of a child…and most parents with a good sense of humor – people whose heads turn into lemons upon drinking lemonade, giant cat-spider hybrids, voice-overs following you around. If it’s odd enough, you call these kids.
Though the series premise allows for various Odd Squad agents to get their day in the sun, the core team is made up of four primary team members, partners Olive and Otto, their boss, the usually yelling Miss O, and Oscar, providing the team with gadgets like a Door-inator, the Shrink-inator, the TV-get-out-inator, and, well, you get the idea.
You notice the O pattern in the characters yet? It keeps going. Octavia, Olaf, Oren, etc.
The kid characters themselves hover just around the pre-teen age or younger, leaving the goofy and often clueless supporting characters of the episode (someone in trouble, a villain, etc) to just as well-cast adult actors.
Together, Olive, Otto, and other members of the team find themselves stopping the plans of villains like Odd Todd (who wants the world as odd as he is), Fladam (who stepped on a cube building block as a child and now sets out to flatten all cubes into flat squares), The Shapeshifter (who can change her shape into anything from a tree to another person), among many many other great adult guest stars.
There’s even one episode, the Agatha Christie/Clue-inspired “The Crime at Shapely Manor” that features 3 out of the 5 members of The Kids in the Hall – Kevin McDonald as Lord Rectangle, Mark McKinney as General Pentagon, and Scott Thompson as Professor Square.
But to stop the dastardly villains, the keys to cracking their schemes usually lie in solving any number of math problems, be it what color will Oscar’s infected hand turn next when one sees blue, blue, yellow, blue, blue…you guessed it, yellow, using measurement to stop an on the loose blue blob, or learning how to use a calendar to send a time duplicate of one of their own back into the past. And these math problems are often woven into the storyline so seamlessly that even I don’t seem to notice I’m getting a lesson in the subject I needed the most help in back in school.
Yes, this show provides some valuable math lessons for little ones in a way so entertaining that they’re bound to remember. My son brings up patterns all the time and I’m convinced that he picked it up from the numerous problems agents have had to solve through the use of patterns in the course of the series. But he doesn’t realize that. From his perspective, he’s watching an action-packed adventure with kids stopping threats to the world. The lessons just happen to come along the way amid the derring-do.
Here, in the world of Odd Squad, kids rule. They’re the ones in charge. They’re the ones you call for help when something is incredibly strange. That sense of empowerment is irresistible to both a child and the child still alive in each of us.
In January 2015, Forbes reported that the show’s special Odd Squad Saves the World reported 3.7 million viewers watching the broadcast on PBS with 44 million others watching the episode online. It is no wonder that Odd Squad is such a hit for PBS across age ranges, making it no surprise that a second season is now set to get well underway on June 20, 2016.
However, that new season won’t come without changes.
On Memorial Day, the episode that PBS promos touted as the one where “everything changes” lived up to its hype – with cast members Dalila Bela and Filip Geljo (Olive and Otto, respectively) receiving promotions to become a new “Ms and Mr O” (though, no Otto, you don’t have to get married) to co-run a branch of Odd Squad elsewhere.
I had a feeling this would happen sooner or later, as a show whose entire premise revolved around an organization run by kids can only keep kids in those roles for so long before they age out of them. Though the premise also lends itself to its own self-sustainability. As some cast members grow up and out, the show revolves around the organization, meaning new casts, new agents, new kids can come and go as the series grows. That’s not to say that the fun and charming acting of Bela and Geljo won’t be missed. They are a core reason for the show’s appeal. Though I’m sure both would likely want to be moving toward other material elsewhere in the way of film and television eventually anyway, it would be nice to see them from time to time in a guest appearance if the stars align.
I should note as well, that this episode that changed it all also could lead one to believe it’s the end (at least for now) for recurring villain Odd Todd, played wonderfully and humorously wicked by young actor Joshua Kliminik. As Olive’s former partner turned bad guy out for revenge, and Olive no longer a regular, it seems unlikely Odd Todd has much reason to hang around so much anymore.
It remains to be seen who will take Olive and Otto’s place as the show’s new primary agents, but while the casting of the show thus far has never failed, those are some big blue suits and red ties to fill. It’s comforting to know that the entire cast is not getting an overhaul, with Sean Michael Kyer (Oscar) and Millie Davis (Ms. O) remaining in their roles, hopefully alongside other characters like the hilariously droll lunch lady Oksana or the incredibly serious Dr. O.
I felt like I was watching a finale to any long-running prime time series where viewers inevitably get attached to the characters. When Otto and Olive hugged Ms. O and resident techie Oscar got ready to send the duo on their way, the often humorous actor Sean Michael Kyer had a twinge of sadness in his voice that echoed the same feeling inside many of us watching at home.
Was I really getting this invested in a live action PBS Kids show?
I was. I completely was. And that is due, in no small part to these wonderful young performers, and the writers, directors, and crew that help them bring this goofy, fun world to life each day.
This is not a kids show slapped together and called a day. It’s a goofy, fun, educational, but always entertaining romp that spans age groups and demographics with evident care put into each and every episode.
This show is so entertaining, so amusing, so well written and well acted (and seriously…the odds of finding an entire cast of great kid actors…it doesn’t happen often), makes Odd Squad so darn charming that you don’t even need to be a parent to enjoy it.
Now how in the world can I play one of those goofy grown ups…
I love Curious George. I really do. I very fondly remember reading the books as a kid and those cartoons that looked like the books come to life back in the 80s.
I even still have an old drawing of George I did when I was seven years old, discovered last year among some items at my parents’ house and now on display in our son’s room.
And while nostalgia made me glad to see George hit the big screen in 2006, I don’t think it really appealed to me the way that the animated series running on PBS currently does. Maybe I just had to be a parent before I could truly appreciate the idea of a man trying to keep his life together while caring for a monkey stand-in for the role of precocious, eager to learn, exuberant toddler.
These days, I feel, George is more engaging and relatable than ever thanks to the hit cartoon series – even more so than the cartoon version of my own youth. The writers, producers, artists, and an amazing voice portrayal by legendary voice-over artist Frank Welker, have designed a George that reflects a preschooler’s behavior, emotion and wonderment, giving the children in the audience a character they can relate to, through whose eyes they similarly see the world.
And for us parents, we can surely relate George’s curiosity, humor, and hijinks, through the lens of the protective, but ever-exhausted Man in the Yellow Hat, played to such likability that I don’t even have words for it, by another voiceover legend, Jeff Bennett.
But George wasn’t always a stand-in for a small child. Early on, and by that I mean, really early on, when he first debuted back in 1941, he was…well, just a cute little monkey with a penchant for getting into trouble.
I didn’t really know this until recently, to be honest, when my son came into possession of a copy of the first Curious George story (aptly just titled Curious George) and wanted to read it before bed.
And it was with that, that we discovered a slightly different type of world for Curious George than we know today. Or, as I like to call it…The Secret Origin of Curious George!!
We first meet George in the jungles of Africa, having fun and swinging from trees.
It’s here that George is spotted for the first time by The Man in the Yellow Hat who decides he’d like to take the little monkey home. They haven’t met yet, but that doesn’t seem to stop the man.
From there, the now kidnapped (monkeynapped, perhaps?) George is brought onboard an ocean liner bound for another country. He’s told by the Man in the Yellow Hat that he’s being brought to…no, not the man’s home..but a zoo. The man then tells George to run along and play until they get there, while the Man smokes his pipe. George, playing on the deck, or perhaps at the thought of being pulled from his home to cross the ocean and end up in a zoo, goes overboard.
Don’t worry, though. It’s not the end of our monkey-pal. George is rescued by a pair of sailors on the ship.
Once in the city, George makes himself at home with the man. Perhaps a little too at home.
We do get what will become a familiar glimpse of George and the Man together at home, but it’s only brief enough for the Man to make a call to the zoo to prepare for George’s arrival moreso than any fatherly bonding. When the Man leaves, George, as would become the modus operandi of the little primate, gets curious and decides he wants to use the phone as well. Only, the number he calls is the fire department, which sends a slew of panicked firefighters over to the man’s home. There’s no fire to be found, only a little monkey, and the firefighters are not happy.
George has survived in the jungle, though, and no jail can hold him. It’s not long before he knocks out a guard and escapes, quickly finding a balloon vendor and taking his entire stash of balloons on a trip high above the city.
Sometime later, George and the balloons begin to descend and come to rest atop a traffic light. Naturally, this causes a bit of a traffic snarl. But among the angry motorists is The Man in the Yellow Hat whose thrilled to find George again.
So this is it, right? This is where they realize how much they need each other to survive in this big ol’ city and begin the path to that father-son relationship that melts my heart?
No. This is where the Man gets him back and promptly puts George into a zoo as he planned from the beginning.
Thankfully, at some point H.A. Rey had the foresight to get George out of that zoo and into domestic living with the Man, and in time we got the father-son type relationship that resonates so well today.
So today it was announced that the Children’s Television Workshop, which of course produces the legendary Sesame Street, has inked a deal with HBO to air the next five years worth of new episodes on the premium television channel.
Those new episodes, will then later be made available for airing on PBS Stations.
And I kind of feel like it’s serving a lot of kids and families the leftover scraps.
The program isn’t leaving PBS, its home for the past 45 years. But it is being cut down from an hour to a half-hour and will be reruns that have been re-edited.
Any new episodes of the show will air on HBO first, finding their way to PBS some nine months later. Will these new episodes be an hour on HBO and cut down to a half-hour on PBS as is being done with reruns? Or will they be a half hour on HBO and then presented as-is on PBS? I haven’t found that to be clear just yet.
However, the move to HBO will allow them to nearly double the number of episodes they produce each year, from 18 to 35.
So more episodes. Something that was getting harder to do financially for PBS. That’s good, right? But the only families and children who will get to watch them are those paying for HBO or HBO’s streaming service. Nine months later they’ll be able to catch them on television on PBS.
I can already see the critics of PBS using this in arguments against public funding, citing what seems to be the big thing lately, privatization, or that trendy new buzzword, ‘public-private partnerships’ in the fight against the use of funding for something they may not be a fan of.
Much of this deal is wrapped up in the concept of streaming, something I tend to, admittedly, forget about. HBO will get the exclusive digital/streaming rights to Sesame Street. Many news articles on this deal cite that two-thirds of children watch Sesame Street via a streaming device.
So, if that is the case, two-thirds of children watch Sesame Street via streaming. And that streaming option is now being removed from Netflix, Amazon, and most importantly, the free PBS Kids app. (Or at least, it’s implied it will disappear from the PBS Kids app. That doesn’t seem to be directly addressed in any article I’ve come across so far. I’ll gladly correct if I find one.)
This is nagging at me because I keep thinking about the purpose of Sesame Street being on public television to begin with – to have its educational lessons via entertainment accessible to all, regardless of the economic status of the household.
If you had a television set, whether it was antenna, premium cable, or just basic cable as we have (the cable company refers to it as ‘lifeline cable’ sometimes. It’s just channels 2-13), you could still learn along with Bert, Ernie, Big Bird and company.
I’ve gone back and forth but keep feeling like overall, there’s a loss here for anyone that’s not HBO or an HBO subscriber.
PBS keeps the reruns and down-the-line gets some new episodes and doesn’t have to pay for it. Great, but if all these articles are true, stating that two-thirds of children get Sesame Street via a streaming service or app, then that’s just been taken away from them if their families don’t subscribe to HBO.
If your childhood home gets saved from being torn down, but you don’t get to live in it anymore because it’s not in your financial reach, who is it a win for?